Comedy and Cultural Critique in American Film

This book uses large scale social and cultural trends and major world events to analyse the American comedy film. This is a historical and conceptual study discussing the comedy narrative, comic traditions, and role of visual culture. Grounded in the theoretical writing of Jean Baudrillard, Paul Virilio, Friedrich Kittler and Jacques Derrida, Bishop brings a new perspective to comedy in film suggesting that it is central to staging cultural criticism. He discusses themes such as repetition, automation, material systems of information media, the level of address in a communicative act, and the shifting role of the image. Key features * Close analysis of two films to illustrate key points in each chapter * Relevant both to film and cultural studies * Chronological treatment How Does Comedy In Film Attempt Cultural Criticism? How Does Cinema Use Its Own Visual Technology To Reflect On And Critique Its Power Within Both Politics And Visual Culture? Comedy And Cultural Critique In American Film Addresses These Questions In Detail As It Argues For The Centrality Of Comedy In Film As A Means Of Staging Cultural Criticism. Focusing On The Powerful And Sustained Shifts In Visual Culture That Cinema Helped To Generate, Foster And Question In The Twentieth Century, It Examines The Issues Of Technology That Allow Film Comedies To Engage In Self-reflexive Cultural Criticism And To Produce And Critique The Use Of Visual Technology Within Us And Global Cultural Politics. Grounded In The Theoretical Writings Of Thinkers Such As Jean Baudrillard, Paul Virilio, Friedrich Kittler And Jacques Derrida In Relation To Repetition, Automation, Material Systems Of Information Media, The Level Of Address In A Communicative Act, And The Shifting Role Of The Image, This Book Considers Comedy As Integral For A Critical Engagement Of The Constructs Of Culture. It Brings A New Perspective To Comedy In Film, Invaluable To Students And Scholars In Film Studies. This book uses large scale social and cultural trends and major world events to analyse the American comedy film. This is a historical and conceptual study discussing the comedy narrative, comic traditions, and role of visual culture. The important innovators of American film comedy and the role of visual technology within cultural politic are discussed, as well as theorists such as Freud, Baudrillard, and Derrida. Key features• Close analysis of two films to illustrate key points in each chapter• Relevant both to film and cultural studies• Chronological treatment