Circuit Listening : Chinese Popular Music in the Global 1960s

What did Mao’s China have to do with the music of youth revolt in the 1960s? & how did the mambo, the Beatles, & Bob Dylan sound on the front lines of the Cold War in Asia? Andrew F. Jones listens in on the 1960s beyond the West, & suggests how transistor technology, decolonization, & the Green Revolution transformed the sound of music around the globe.Focusing on the intro of the transistor in revolutionary China & its Cold War counterpart in Taiwan, CL reveals the hidden parallels between music as seemingly disparate as rock & roll & Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang & the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, & shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever. CL provides a multifaceted history of Chinese-language popular music & media at midcentury. It profiles a number of the most famous & best loved Chinese singers & cinematic icons, & places those figures in a larger geopolitical & technological context. CL’s original research & far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution. Challenges our understanding of popular music as a Euro-American hegemony by demonstrating how the Sinophone music industries & markets partook of this global circuit through corporate expansion, as well as through local resistance & piracy. It is a long-awaited book on the way global popular music, in all its diversity, circularity, & promiscuity, should be re-historicized & reconceptualized – Victor Fan, author of Cinema Approaching Reality: Locating Chinese Film Theory How the Chinese pop of the 1960s participated in a global musical revolution What did Mao's China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening , Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe. Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles' "Revolution," uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever. Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening's original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the '60s pop musical revolution. Introduction. The East Is Red : Towards A Sonic History Of The 1960s -- Circuit Listening At The Dawn Of The Chinese 1960s -- Quotation Songs : Media Infrastructure And Pop Song Form In Mao's China -- Fugitive Sounds Of The Taiwanese Musical Cinema -- Pirates Of The China Seas : Vinyl Records And The Military Circuit -- Folk Circuits : Rediscovering Chen Da -- Teresa Teng And The Network Trace -- Appendix. Listening To Songs In The Streets Of Taipei. Andrew F. Jones. Includes Bibliographical References And Index. Electronic Reproduction. Baltimore, Md Available Via World Wide Web. "This manuscript seeks to write China back into the narrative about the explosion of new forms of popular music globally in the 1960s. In the context of China and Taiwan, new aesthetic forms of music emerged and circulated via circuits of exchange between urban and rural, from the radio circuits that linked major urban centers to the West to the "closed circuits" of socialist media across rural China"-- Provided by publisher