Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement (Film Culture in Transition (Hardcover))

In 'Cinema's Baroque Flesh', Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including 'Caché', 'Strange Days', the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for structure, signification, and thought, as well as the aesthetics of sensation. Bron: Flaptekst, uitgeversinformatie.

This book offers a groundbreaking perspective on Judeo-Christian coexistence in medieval Spain, in particular on the Camino de Santiago (Way of St. James), one of the most important pilgrimage routes in Europe. The author uncovers new evidence of Judeo-Christian cooperation in Castilian monasteries on the Camino. It reveals that a collaborative climate endured in these monasteries as demonstrated by the transmission of cuaderna vía poetry from Christians to Jews. The research focuses on poems written by Jews in Castilian (Spanish) during the thirteenth and fourteenth centuries that illustrate a progressive mastery of cuaderna vía poetry, which is the product of interaction in monastic schools between Jews and Christian clerics who created and cultivated this Castilian poetic form.

"In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including Caché, Strange Days, the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for structure, signification, and thought, as well as the aesthetics of sensation." -- Back cover In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including Cach�e, Strange Days, the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for structure, signification, and thought, as well as the aesthetics of sensation."--Back cover