Christo-Fiction: The Ruins of Athens and Jerusalem (Insurrections: Critical Studies in Religion, Politics, and Culture)

François Laruelle's lifelong project of "nonphilosophy" thinks past the theoretical limits of Western philosophy to realize new relations between religion, science, politics, and art. In __Christo-Fiction__ Laruelle targets the rigid, self-sustaining arguments of metaphysics, and the radical potential of Christ, explicitly inserting quantum science into religion. Positioning itself against orthodox religion and naive atheism alike, __Christo-Fiction__ is a daring, heretical experiment that ties religion to the human experience and the lived world. François Laruelle's lifelong project of "nonphilosophy," or "nonstandard philosophy," thinks past the theoretical limits of Western philosophy to realize new relations between religion, science, politics, and art. In __Christo-Fiction__ Laruelle targets the rigid, self-sustaining arguments of metaphysics, rooted in Judaic and Greek thought, and the radical potential of Christ, whose "crossing" disrupts their circular discourse. Laruelle's Christ is the embodiment of generic man, founder of a science of humans, and herald of a gnostic messianism that calls forth an immanent faith. Explicitly inserting quantum science into religion, Laruelle recasts the temporality of the cross, the entombment, and the resurrection, arguing that it is God who is sacrificed on the cross so equals in faith may be born. Positioning itself against orthodox religion and naive atheism alike, __Christo-Fiction__ is a daring, heretical experiment that ties religion to the human experience and the lived world. A revolutionary effort to restore the radical politics of Christianity and the inherent value of faith. François Laruelle's lifelong project of "nonphilosophy," or "nonstandard philosophy," thinks past the theoretical limits of Western philosophy to realize new relations between religion, science, politics, and art. In Christo-Fiction Laruelle targets the rigid, self-sustaining arguments of metaphysics, rooted in Judaic and Greek thought, and the radical potential of Christ, whose "crossing" disrupts their circular discourse. Laruelle's Christ is not the authoritative figure conjured by academic theology, the Apostles, or the Catholic Church. He is the embodiment of generic man, founder of a science of humans, and the herald of a gnostic messianism that calls forth an immanent faith. Explicitly inserting quantum science into religion, Laruelle recasts the temporality of the cross, the entombment, and the resurrection, arguing that it is God who is sacrificed on the cross so equals in faith may be born. Positioning itself against orthodox religion and naive atheism alike, Christo-Fiction is a daring, heretical experiment that ties religion to the human experience and the lived world. Table of Contents Preface: Christianity Stripped Bare by Christ Introduction: A Gnostic Theology in the Quantum Spirit 1. A Generic Repetition of Gnosis: To Desuture Christ from Theology 2. The Idea of a Science-in-Christ: Christ, Science, and Their Gnostic Suture 3. From the Theo-Christo-Logical Doublet to Unilateral Complementarity 4. Construction and Functioning of the Christic Matrix 5. Algebra of the Messianic Wave 6. Christic Science and Its Occasions 7. The Two Laws of Substantial Religious Existence, and Christ as Mediate-Without-Mediation 8. The Generic Science of the World 9. Indiscernible Messianity 10. Scientific Discovery and Revelation 11. The Science of the Cross 12. The Science of the Resurrection 13. Messianity and Fidelity: The Faithful of-the-Last-Instance 14. Faith Harassed by Belief Notes Index This title targets the rigid, self-sustaining arguments of metaphysics, rooted in Judaic and Greek thought, and explores the radical potential of Christ, whose 'crossing' disrupts their circular discourse. It is built upon the idea of 'nonphilosophy', or 'nonstandard philosophy', a way of thinking that goes past the theoretical limits of Western philosophy to realise new relations among religion, science, politics, and art. Positioning itself against orthodox religion and naive atheism alike, the book is a heretical experiment that ties religion tightly to the human experience and the lived world