Chopin’s Letters [1931; DOVER BOOKS ON MUSIC (1988); rev. 3rd ed. 2013]

(This Dover edition, first published in 1988, is an unabridged, slightly corrected republication of the edition originally published by Alfred A. Knopf, Inc., New York, in 1931)This superbly edited selection of nearly 300 of Chopin's letters, the first to be published in English, vividly reveals the composer as man and artist, and evokes the remarkable age — Europe of the 1830s and 1840s — he shared with an equally remarkable cast of characters, from Jenny Lind to Isabella II of Spain, from Queen Victoria to George Sand, from Heinrich Heine to Victor Hugo.The tone of the letters is exuberantly engaging: "They abound in delightful gossip, they are merry rather than malicious, they are engagingly witty, and at times their humor becomes positively Rabelaisian" (Peter Bowdoin, Books). Their contents offer rare glimpses into Chopin's childhood environment, his mind and character, his tragic love for George Sand, the origins of many of his compositions, the various musical influences that shaped his creative ideas and habits, and the artistic circles in which he moved.Originally collected by the Polish musicologist Henryk Opienski, the letters have been translated and annotated by Chopin scholar E. L. Voynich. Students and admirers of Chopin will find in their pages vast resources to deepen their love and appreciation for — and wonderment at — the unique individuality and achievement of this great musical personality. "Nothing could be more spontaneous and ebullient than Chopin's letters." — Books"Perhaps no composer's letters are so kindred to his music, and reminiscent of the impression produced by it, as Chopin's are." — The New York Times "Nothing could be more spontaneous and ebullient than Chopin's letters." — __Books__"Perhaps no composer's letters are so kindred to his music, and reminiscent of the impression produced by it, as Chopin's are." — __The New York Times__This superbly edited selection of nearly 300 of Chopin's letters, the first to be published in English, vividly reveals the composer as man and artist, and evokes the remarkable age — Europe of the 1830s and 1840s — he shared with an equally remarkable cast of characters, from Jenny Lind to Isabella II of Spain, from Queen Victoria to George Sand, from Heinrich Heine to Victor Hugo.The tone of the letters is exuberantly engaging: "They abound in delightful gossip, they are merry rather than malicious, they are engagingly witty, and at times their humor becomes positively Rabelaisian" (Peter Bowdoin, __Books__). Their contents offer rare glimpses into Chopin's childhood environment, his mind and character, his tragic love for George Sand, the origins of many of his compositions, the various musical influences that shaped his creative ideas and habits, and the artistic circles in which he moved.Originally collected by the Polish musicologist Henryk Opienski, the letters have been translated and annotated by Chopin scholar E. L. Voynich. Students and admirers of Chopin will find in their pages vast resources to deepen their love and appreciation for — and wonderment at — the unique individuality and achievement of this great musical personality. "Nothing could be more spontaneous and ebullient than Chopin's letters." — Books "Perhaps no composer's letters are so kindred to his music, and reminiscent of the impression produced by it, as Chopin's are." — The New York Times This superbly edited selection of nearly 300 of Chopin's letters, the first to be published in English, vividly reveals the composer as man and artist, and evokes the remarkable age — Europe of the 1830s and 1840s — he shared with an equally remarkable cast of characters, from Jenny Lind to Isabella II of Spain, from Queen Victoria to George Sand, from Heinrich Heine to Victor Hugo. The tone of the letters is exuberantly engaging: "They abound in delightful gossip, they are merry rather than malicious, they are engagingly witty, and at times their humor becomes positively Rabelaisian" (Peter Bowdoin, Books ). Their contents offer rare glimpses into Chopin's childhood environment, his mind and character, his tragic love for George Sand, the origins of many of his compositions, the various musical influences that shaped his creative ideas and habits, and the artistic circles in which he moved. Originally collected by the Polish musicologist Henryk Opienski, the letters have been translated and annotated by Chopin scholar E. L. Voynich. Students and admirers of Chopin will find in their pages vast resources to deepen their love and appreciation for — and wonderment at — the unique individuality and achievement of this great musical personality. Nearly 300 letters reveal Chopin as both man and artist, and illuminate the fascinating world of 1830's and 1840's Europe. This selection of nearly three hundred of Chopin's letters, the first to be published in English, vividly reveals the composer as man and artist, and evokes the remarkable age -- Europe of the 1830's and 1840's -- he shared with an equally remarkable cast of characters, from Jenny Lind to Isabella II of Spain, from Queen Victoria to George Sand, from Heinrich Heine to Victor Hugo. Their contents offer rare glimpses into Chopin's childhood environment, his mind and character, his tragic love for George Sand, the origins of many of his compositions, the various musical influences which shaped his creative ideas and habits, and the artistic circles in which he moved

Nearly 300 letters reveal Chopin as both man and artist and illuminate his fascinating worldEurope of the 1830s and 1840s. Rare glimpses of Chopins childhood, mind and character, love for George Sand, musical influences, and much more. They abound in delightful gossip, are merry rather than malicious, are engagingly witty, and at times their humor becomes positively Rabelaisian.

Books

They abound in delightful gossip, are merry rather than malicious, are engagingly witty, and at times their humor becomes positively Rabelaisian.