China With A Cut: Globalisation, Urban Youth And Popular Music Globalisation, Urban Youth And Popular Music
معرفی کتاب «China With A Cut: Globalisation, Urban Youth And Popular Music Globalisation, Urban Youth And Popular Music» نوشتهٔ Jeroen de Kloet، منتشرشده توسط نشر Amsterdam University Press در سال 2010. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. Based on sixteen years of research, this book explores various music scenes that emerged in China in the mid-1990s. Thanks to illegally imported CDs punched with a cut, the dakou CDs, a sonic world was opened up, inspiring young people to experiment with new sounds and lifestyles. In a context of intense globalisation and commercialisation, this book delves into the socio-cultural and political transformations of an alleged rising global power "How does sound become local in the global age? This is the question posed by Jeroen de Kloet. As much an ethnography of the subjectivities articulated to pop music practices as it is an interrogation of the assumptions of sinocentricity, this book constitutes a provocative statement on C̀hineseness' at the crossroads of contemporary media, everyday life, and geopolitics."--Rey Chow, Duke University "Jeroen de Kloet provides a rich and fascinating account of the myriad forms of rock in contemporary China. This book transformed my understanding of contemporary Chinese culture - and of rock music beyond Europe and North America."--David Hesmondhalgh, University of Leeds "An authoritative, scholarly and up-to-date account of an important and fascinating field of popular music which sets a new benchmark in global music studies."--Tony Mitchell, University of Technology Sydney --Book Jacket Provides insight into the vibrant popular music scene of contemporary China in the context of globalisation and rapid economic and social change Jeroen de Kloet is assistant professor at the Department of Media Studies of the University of Amsterdam, The Netherlands Jeroen De Kloet. Includes Bibliographical References (p. [231]-243) And Index.
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