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"To read a novel by Anne Tyler is to fall in love." —PEOPLEThirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jaremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn--especially when he's falling in love.... A poignant, uplifting, heartbreaking love story from the beloved bestselling, Pulitzer Prize–winning author: "To read a novel by Anne Tyler is to fall in love" ( PEOPLE). Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn—especially when he's falling in love.... "Tyler is steadily raising a body of fiction of major dimensions." THE NEW YORK TIMES Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jaremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn?especially when he's falling in love... Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below. That is, until the fall of 1960, when she dies and leaves Jeremy alone. The following spring he takes in two boarders: a young woman and her child. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love