شعرشناسی قرون وسطایی کارولین برگوال: متون مهاجر و روش‌های فرامکانی

Caroline Bergvall's celebrated trilogy of interdisciplinary medievalist texts and projects—Meddle English (2011), Drift (2014), and Alisoun Sings (2019)—documents methods of reading and making that are poetically and politically alert, critically and culturally aware, linguistically attuned, and historically engaged. Drawing on the wide-ranging body of criticism dedicated to Bergvall's work and material from Bergvall's archive, together with newly commissioned texts by scholars, theorists, linguists, translators, and poets, this book situates the trilogy in relation to key themes including mixed temporalities; interdisciplinarity and performance; art and activism; and the geopolitical, psychosexual, and social complexities of subjectivity. It follows routes laid down by the trilogy to move between the medieval past and our contemporary moment to uncover new forms of encounter and exchange. COVER 1 Contents 5 List of Illustrations 9 Part 1: Meddle English 25 Part 2: Drift 81 Cherry Smyth – 9. Caroline Bergvall’s Drift 97 Part 3: Alisoun Sings 133 Part 4: Other Voices 191 Sawako Nakayasu – 21. “Dream #1” by Caroline Bergvall, Interpreted-Translated 199 Mónica de la Torre – 22. Parable 203 Broqua, Lang, & Portugal – 23. Le Non Conte (Funérailles) 205 Erín Moure – 24. In Arborescence 207 Imogen Stidworthy – 25. Airborne 211 Anthony (Vahni) Capildeo – 26. Weather Systems 215 Part 5: Interviews 217 28. Interview with Eva Heisler (2016) 225 29. Interview with Greg Nissan (2019) 231 Afterword 237 Select Bibliography on Bergvall’s Medievalist Trilogy 243 Index 247