Buddhism and Taoism Face to Face : Scripture, Ritual, and Iconographic Exchange in Medieval China

"This book exemplifies the best sort of work being done on Chinese religions today. Christine Mollier expertly draws not only on published canonical sources but also on manuscript and visual material, as well as worldwide modern scholarship, to give us the most sophisticated book-length study yet produced on the textual relations between the Buddhist and Taoist traditions. She pushes past the tired, vague, and rather innocent-sounding trope of ‘influence’ to pinpoint much more complex—and fascinating—processes of textual repackaging, hybridization, adaptation, appropriation, reframing, pirating, remodeling, and transposing. Throughout, the urgent concerns of medieval Chinese people—life, health, protection, salvation—are sensitively and elegantly evoked. Anyone interested in Chinese religions, in the ways in which religious texts are formed, and in cross-religious interactions should want to read this book."—Robert Ford Campany, University of Southern California "Since the inception of Taoism and the transplantation of Buddhism in China in the first few centuries of the common era, proponents of Taoism and Buddhism have engaged in shrill debate and sly mimesis. In the 1950s modern scholars began to insist that the two ‘higher’ religions of China could not be understood except in relation to each other. With Buddhism and Taoism Face to Face, Christine Mollier advances the debate and effectively proposes new methods, new sources, and new conclusions. Mollier demonstrates that mutual self-fashioning in the history of religion ought best be understood through the sustained study of the concrete and practical aspects of religious life. Utilizing a dazzling array of sources—including medieval manuscripts, liturgies, canonical texts, statues, and hagiography—this eloquent intervention sets the standard for many decades to come. Her book alerts us to the existence and sophistication of a third tradition, one plying the shifting boundaries between Taoism and Buddhism."—Stephen F. Teiser, Princeton University Christine Mollier reveals in this volume previously unexplored dimensions of the interaction between Buddhism and Taoism in medieval China. While scholars of Chinese religions have long recognized the mutual influences linking the two traditions, Mollier here brings to light their intense contest for hegemony in the domains of scripture and ritual. Drawing on a far-reaching investigation of canonical texts, together with manuscript sources from Dunhuang and the monastic libraries of Japan—many of them studied here for the first time—she demonstrates the competition and complementarity of the two great Chinese religions in their quest to address personal and collective fears of diverse ills, including sorcery, famine, and untimely death. In this context, Buddhist apocrypha and Taoist scriptures were composed through a process of mutual borrowing, yielding parallel texts, Mollier argues, that closely mirrored one another. Life-extending techniques, astrological observances, talismans, spells, and the use of effigies and icons to resolve the fundamental preoccupations of medieval society were similarly incorporated in both religions. In many cases, as a result, one and the same body of material can be found in both Buddhist and Taoist guises. Among the exorcistic, prophylactic, and therapeutic ritual methods explored here in detail are the "Heavenly Kitchens" that grant divine nutrition to their adepts, incantations that were promoted to counteract bewitchment, as well as talismans for attaining longevity and the protection of stellar deities. The destiny of the Jiuku Tianzun, the Taoist bodhisattva whose salvific mission and iconography were modeled on Guanyin (Avalokitesvara), is examined at length. Through the case-studies set forth here, the patterns whereby medieval Buddhists and Taoists each appropriated and transformed for their own use the rites and scriptures oftheir rivals are revealed with unprecedented precision. __Buddhism and Taoism Face to Face__ is abundantly illustrated with drawings and diagrams from canonical and manuscript sources, together with art and artifacts photographed by the author in the course of her field research in China. Sophisticated in its analysis, broad in its synthesis of a variety of difficult material, and original in its interpretations, it will be required reading for those interested in East Asian religions and in the history of the medieval Chinese sciences, including astrology, medicine and divination. "This book reveals previously unexplored dimensions of the interaction between Buddhism and Taoism in medieval China. While scholars of Chinese religions have long recognized the mutual influences linking the two traditions, Mollier here brings to light their intense contest for hegemony in the domains of scripture and ritual. Drawing on a far-reaching investigation of canonical texts, together with manuscript sources from Dunhuang and the monastic libraries of Japan - many of them studied here for the first time - she demonstrates the competition and complementarity of the two great Chinese religions in their quest to address personal and collective fears of diverse ills, including sorcery, famine, and untimely death." "This book is abundantly illustrated with drawings and diagrams from canonical and manuscript sources, together with art and artifacts photographed by the author in the course of her field research in China. Sophisticated in its analysis, broad in its synthesis of a variety of difficult material, and original in its interpretations, it will be required reading for those interested in East Asian religions and in the history of the medieval Chinese sciences, including astrology, medicine, and divination."--BOOK JACKET.

Reading the Right Text introduces six new plays from contemporary China, five of which are translated here into English for the first time. Chosen from a wide variety of well-received dramas of the period, each play represents the traditions and changes in a particular subgenre: regional theater, proletarian theater, women's theater, history plays, and experimental theater. Xiaomei Chen's wide-ranging and perceptive introduction locates the plays in the political and cultural history of modern China to demonstrate the interrelationship between theater, history, society, and everyday experience. She highlights the origin and development of the different sub-genres and outlines critical approaches from numerous fields, including gender studies, performance studies, subaltern studies, and comparative cultural studies.

Quite apart from their importance as theater, these plays are crucial for a fully rounded understanding of the cultural dynamics involved in the transition from Maoist to post-Mao China, from socialist realist drama to the post-socialist response to a market economy and a society in flux.

This volume reveals previously unexplored dimensions of the interaction between Buddhism and Taoism in medieval China. While scholars of Chinese religions have long recognized the mutual influences linking the two traditions, the book brings to light their intense contest for hegemony in the domains of scripture and ritual. It demonstrates the competition and complementarity of the two great Chinese religions in their quest to address personal and collective fears of diverse ills, including sorcery, famine, and untimely death Contents Illustrations Acknowledgments Introduction Chapter 1 The Heavenly Kitchens Chapter 2 In Pursuit of the Sorcerers Chapter 3 Augmenting the Life Account Chapter 4 Under Stellar Protection Chapter 5 Guanyin in a Taoist Guise Conclusion Bibliography Index About the Author