Bildwelten des Wissens : Kunsthistorisches Jahrbuch für Bildkritik. Band 18, MUSEALE RESTE

Remnants are a challenge for the museum as an institution. They are ambiguous figures, and their attributions open up and thus contribute to transcending the taxonomic, disciplinary, architectural, and institutional boundaries of museums. They can be found everywhere—in exhibition spaces as well as storage depots, and in laboratories just as in the administration. In each of these contexts, there are respectively different forms of professional self-conception, knowledge, and practical handling that determine the status of remnants. The volume contributes to specifying terms such as remnant, trash, traces, and boundaries more precisely within the context of the museum and to reassessing them for debates in conservation, curating, art history, and museum anthropology. Pictures Inhalt Editorial Sighting the Dust: Attending to the Museum through its Residues Remain Human: Zum Umgang mit menschlichen Überresten im Lautarchiv Fringe Objects: Cultivating Residues at the Museum Wiedergelesen Mary Douglas: Purity and Danger. An Analysis of the Concepts of Pollution and Taboo Spencer’s Ghost: The Decolonial Afterlife of a Postcolonial Museum Prop Projektvorstellung Ruin in Reverse. A Design Inquiry Guided by the Materiality of the Rubble Projektvorstellung Toxische Überreste des Sammelns Resteverwertung: zeitgenössische Kunst und das, was übrig bleibt Bilder als Typen. Digitalfotografie der Fliege Marleyimyia xylocopae (2014) Residues of Cultural Significance: The Bakor Monoliths Rezension Fernando Domínguez Rubio: Still Life. Ecologies of the Modern Imagination at the Art Museum, Chicago/London 2020 Projektvorstellung Reflexion über das Randständige Bildnachweis Autorinnen und Autoren