فراتر از مجسمه‌سازی مدرن: تأثیرات علم و فناوری بر مجسمه‌سازی قرن

Title Page......Page 1 Cover Page......Page 3 Publication Info......Page 4 Acknowledgements......Page 5 Key to Reference Bibliography......Page 6 Preface......Page 7 Contents......Page 11 Inner Cover......Page 13 Form and Indecision......Page 15 Reification......Page 20 Object and System......Page 24 Part One - Sculpture as Object......Page 31 Functions of the Sculpture Base......Page 33 Works by Four Early Modern Sculptors......Page 35 The Base as Anti-Base......Page 42 Constantin Brancusi......Page 44 The Constructivists......Page 48 Postwar Withering of the Base......Page 52 Floor-Bound Sculpture......Page 54 Air-Borne Sculpture......Page 58 Organicism as an Evolving Creed......Page 63 The Mechanist Versus Vitalist Dispute......Page 70 Bergson: The Poetics of Vitalism......Page 79 Read, Focilon, and the Aesthetics of Neo-Vitalism......Page 82 Motives and Analyses of Five Vitalist Sculptors......Page 93 Vitalism in Postwar American Sculpture......Page 114 Vitalism and Artistic Values......Page 122 Formalism in Sculpture......Page 124 Attitudes: The Scientific Demiurge......Page 126 Invention in Sculpture......Page 134 The Scientific Model......Page 139 Mathematical Influences......Page 146 Space, Scale, and Structure......Page 162 Optical Properties of Sculpture......Page 173 A Resume......Page 181 Academicism in Modern Sculpture......Page 182 Pure Form Becomes Pure Experience......Page 186 Part Two - Sculpture as System......Page 197 A Continuum of Images......Page 199 Egyptian Proto-Automata......Page 202 Greek Ritual: Orgiastic and Mechanical......Page 203 Clockwork Men Before the Enlightenment......Page 207 Mechanistic Aspirations in the Age of Reason......Page 210 The Sociology of Modern Automata......Page 214 Subsculpture in Modern Art......Page 220 Mechanization and the Artistic Sensibility......Page 232 Early Stages of Kineticism......Page 238 Precursors of the New Tendency......Page 252 The New Tendency and Field Kinetics......Page 261 Theory and Practice in the Kinetic Revival......Page 276 Emitted Light in Art......Page 299 Postwar European Exploration of Light......Page 307 Recent Use of Light in American Art......Page 316 The Future of Light as an Art Form......Page 322 The Cybernetic Changeover......Page 326 Mock Robots as Sculpture......Page 334 The Cybernetic Organism as an Art Form......Page 345 The Future of Responsive Systems in Art......Page 373 A Teleological Theory of Modern Sculpture......Page 384 Reference bibliography......Page 393 List of Illustrations......Page 403 Index......Page 409