بین سکون و حرکت: فیلم، عکاسی، الگوریتم‌ها

Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media. With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B. N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present. New Technological Media Such As Film, Photography And Computers Have Altered The Way We Perceive Possible Relations Between Stillness And Motion In The Visual Arts. Traditionally, Cinema Theory Saw Cinema And Especially The 'illusion Of Motion' As Part Of The Ideological Swindle Of The Basic Cinematic Apparatus. This Collection Of Essays By Acclaimed International Scholars Including Tom Gunning, Thomas Elsaesser, Mark B.n. Hansen, George Baker, Ina Blom And Christa Blümlinger, Starts Out From A Different Premise To Analyse Stillness And Motion As Part Of A Larger Ecology Of Images And Media. They Argue That The Strategic Uses Of Stillness And Motion In Art And Entertainment Since The 1850s Illuminate And Renegotiate Urgent Issues Within Both Aesthetics, Film, Art And Media History On The One Hand, And, On The Other, New Perspectives On Affects, Memories And The Contemporary Patterns Of Communication And Image Circulation.--publisher's Website. Introduction. The Still/moving Field: An Introduction / Eivind Røssaak -- Philosophies Of Motion. The Play Between Still And Moving Images: Nineteenth-century Philosophical Toys And Their Discourse / Tom Gunning -- Digital Techniques Beyond The Last Machine: Thinking Digital Media With Hollis Frampton / Mark B.n. Hansen -- The Use Of Freeze And Slide Motion. The Figure Of Visual Standstill In R. W. Fassbinder's Films / Christa Blümlinger -- The Temporalities Of The Narrative Slide Motion Film / Liv Hausken -- The Cinematic Turn In The Arts. Stop/motion / Thomas Elsaesser -- After Photography's Expanded Field / George Baker -- On 'on Otto': Moving Images And The New Collectivity / Ina Blom -- The Algorithmic Turn. Mutable Temporality In And Beyond The Music Video: And Aesthetic Of Post-production / Arild Fetveit -- Algorithmic Culture: Beyond The Photo/film Divide Eivind Røssaak -- Archives In Between. The Archives Of The Planet: And Montage: The Movement Of The Crowd And The Rhythm Of Life / Trond Lundemo. Edited By Eivind Røssaak. Includes Bibliographical References. Content: Between Stillness and Motion - 2[-]Contents - 6[-]Acknowledgements - 8[-]Introduction - 10[-] The Still/Moving Field: An Introduction - 12[-]Philosophies of Motion - 26[-] The Play between Still and Moving Images: Nineteenth-Century -Philosophical Toys and Their Discourse - 28[-] Digital Technics Beyond the -Last Machine : Thinking Digital Media with Hollis Frampton - 46[-]The Use of Freeze and Slide Motion - 74[-] The Figure of Visual Stand still in R.W. Fassbinder's Films - 76[-] The Temporalities of the Narrative Slide Motion Film - 86[-]The Cinematic Turn in the Arts - 108[-] Stop/Motion - 110[-] After -Photography's Expanded Field - 124[-] On On Otto: Moving Images and the New Collectivity - 138[-]The Algorithmic Turn - 158[-] Mutable Temporality In and Beyond the Music Video: An Aesthetic of Post-Production - 160[-] Algorithmic Culture: Beyond the Photo/Film Divide - 188[-]Archives in Between - 206[-] -The Archives of the Planet and Montage: The Movement of the Crowd and -the Rhythm of Life - 208[-]General Bibliography - 226[-]Contributors - 236 Annotation New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation