Benjamin Franklin's Vision of American Community: A Study in Rhetorical Iconology (Studies in Rhetoric/Communication)

Benjamin Franklin's Vision of American Community focuses on the rhetoric of the pictorial images Benjamin Franklin created to represent the British colonies that became the United States. Franklin designed at least one such image during each decade from the 1750s to the 1780s. No other American colonist's pictorial representations of the emerging nation were more original or influential in their time than Franklin’s. Although Franklin disseminated his pictorial images among Americans, Lester C. Olson’s study is international in scope since Franklin presented the images to audiences in Britain and France as well. Franklin was a representative in the Pennsylvania Assembly in 1754, a colonial agent at London in 1765–66, a representative to the Continental Congress at Philadelphia in 1776, and the U.S. ambassador at Paris in 1783. At each of these times, roughly a decade apart, Franklin’s political and social role had changed. In 1754 and again in 1776, he was well situated as a representative in Pennsylvania to participate directly in the formation of governmental policies. But in 1765–66 and again in 1783, he was on the periphery of the forums of political power and social privilege centered in the British Parliament and the French ministry. Olson contends that attention to the visual images created in each of these roles dramatizes fundamental changes in Franklin's sensibility concerning British America. In 1754 Franklin was an American Whig supporter of the British Empire's constitutional monarchy. During the late 1750s and early 1760s he veered toward increasing the power of the Crown over Pennsylvania by changing the colony's form of government, before ultimately rejecting constitutional monarchy and advocating republican politics during the 1770s and 1780s. The shifts in Franklin's fundamental political commitments are among the most arresting aspects of his life. Benjamin Franklin's Vision of American Community highlights those changes as it examines his pictorial representations of British America through several decades. Benjamin Franklin's Vision of American Community focuses on the rhetoric of the pictorial images Benjamin Franklin created to represent the British colonies that became the United States. Franklin designed at least one such image during each decade from the 1750s to the 1780s. No other American colonist's pictorial representations of the emerging nation were more original or influential in their time than Franklin's. Although Franklin disseminated his pictorial images among Americans, Lester C. Olson's study is international in scope since Franklin presented the images to audiences in Britain and France as well. Franklin was a representative in the Pennsylvania Assembly in 1754, a colonial agent at London in 1765-66, a representative to the Continental Congress at Philadelphia in 1776, and the U.S. ambassador at Paris in 1783. At each of these times, roughly a decade apart, Franklin's political and social role had changed. In 1754 and again in 1776, he was well situated as a representative in Pennsylvania to participate directly in the formation of governmental policies. But in 1765-66 and again in 1783, he was on the periphery of the forums of political power and social privilege centered in the British Parliament and the French ministry.Olson contends that attention to the visual images created in each of these roles dramatizes fundamental changes in Franklin's sensibility concerning British America. In 1754 Franklin was an American Whig supporter of the British Empire's constitutional monarchy. During the late 1750s and early 1760s he veered toward increasing the power of the Crown over Pennsylvania by changing the colony's form of government before ultimately rejecting constitutional monarchy and advocating republican politics during the 1770s and 1780s. The shifts in Franklin's fundamental political commitments are among the most arresting aspects of his life. Benjamin Franklin's Vision of American Community highlights these changes as it examines his pictorial representations of British America through several decades. Benjamin Franklin's Vision Of American Community Focuses On The Rhetoric Of The Pictorial Images Benjamin Franklin Created To Represent The British Colonies That Became The United States. Franklin Designed At Least One Such Image During Each Decade From The 1750s To The 1780s. No Other American Colonist's Pictorial Representations Of The Emerging Nation Were More Original Or Influential In Their Time Than Franklin's. Olson Contends That Attention To The Visual Images Created In Each Of These Roles Dramatizes Fundamental Changes In Franklin's Sensibility Concerning British America. In 1754 Franklin Was An American Whig Supporter Of The British Empire's Constitutional Monarchy. During The Late 1750s And Early 1760s He Veered Toward Increasing The Power Of The Crown Over Pennsylvania By Changing The Colony's Form Of Government Before Ultimately Rejecting Constitutional Monarchy And Advocating Republican Politics During The 1770s And 1780s. The Shifts In Franklin's Fundamental Political Commitments Are Among The Most Arresting Aspects Of His Life. Benjamin Franklin's Vision Of American Community Highlights These Changes As It Examines His Pictorial Representations Of British America Through Several Decades.--book Jacket. Franklin's Emblems And Devices : An Orientation And Conceptual Approach -- Franklin's Earliest Commentary Envisioning Colony Union -- Join, Or Die, 1754 -- Magna Britannia: Her Colonies Reducd, 1765-1766 -- We Are One, 1776 -- Libertas Americana, 1782-1783 -- Interludes And Transformations -- National Character And The Great Seal Of The United States. Lester C. Olson. Includes Bibliographical References (p. [259]-303) And Indexes. Title Page Copyright Illustrations Preface Acknowledgments Part One 1. Franklin's Emblems and Devices: An Orientation and Conceptual Approach 2. Franklin's Earliest Commentary Envisioning Colony Union Part Two 3. "JOIN, or DIE," 1754 4. "MAGNA Brittania: her Colonies REDUC'D," 1765-66 5. "WE ARE ONE," 1776 6. Libertas Americana, 1782-83 Part Three 7. Interludes and Transformations: Franklin's Verbal Images Representing British America 8. National Character and the Great Seal of the United States Abbreviations Notes General Index Franklin's emblems and devices : an orientation and conceptual approach Franklin's earliest commentary envisioning colony union Join, or Die, 1754 Magna Britannia : her colonies Reduc'd, 1765-1766 We Are One, 1776 Libertas Americana, 1782-1783 Interludes and transformations : Franklin's verbal images representing Bristian America National character and the Great Seal of the United States.