اروئیکا اثر بتهوون: نخستین سمفونی بزرگ رمانتیک

In 1805, The World Of Music Was Startled By An Avant-garde And Explosive New Work. Intellectually And Emotionally, Beethoven's Third Symphony, The Eroica, Rudely Broke The Mold Of The Viennese Classical Symphony And Revealed A Powerful New Expressiveness, Both Personal And Societal. Even The Whiff Of Actual Political Revolution Was Woven Into The Work-it Was Originally Inscribed To Napoleon Bonaparte, A Dangerous Hero For A Composer Dependent On Conservative Royal Patronage. With The First Two Stunning Chords Of The Eroica, Classical Music Was Transformed. In Beethoven's Eroica, James Hamilton-paterson Reconstructs This Great Moment In Western Culture, The Shock Of The Music And The Symphony's Long Afterlife. -- Publisher's Description The Boy From Bonn -- Vienna -- Prometheus -- Constructing A Symphony -- Who Was The Real Hero Of The 'eroica'? -- The Reception Of The 'eroica' -- The Symphonic Ideal -- After 'eroica.' James Hamilton-paterson. Includes Bibliographical References (pages 169-172) And Index. An ode to Beethoven's revolutionary masterpiece, his Third Symphony In 1805, the world of music was startled by an avant-garde and explosive new work. Intellectually and emotionally, Beethoven's Third Symphony, the "Eroica," rudely broke the mold of the Viennese Classical symphony and revealed a powerful new expressiveness, both personal and societal. Even the whiff of actual political revolution was woven into the work-it was originally inscribed to Napoleon Bonaparte, a dangerous hero for a composer dependent on conservative royal patronage. With the first two stunning chords of the "Eroica," classical music was transformed. In Beethoven's Eroica , James Hamilton-Paterson reconstructs this great moment in Western culture, the shock of the music and the symphony's long afterlife. Zusammenfassung: "In 1805, the world of music was startled by an avant-garde and explosive new work. Intellectually and emotionally, Beethoven's Third Symphony, the "Eroica," rudely broke the mold of the Viennese Classical symphony and revealed a powerful new expressiveness, both personal and societal. Even the whiff of actual political revolution was woven into the work-it was originally inscribed to Napoleon Bonaparte, a dangerous hero for a composer dependent on conservative royal patronage. With the first two stunning chords of the "Eroica," classical music was transformed. In Beethoven's Eroica, James Hamilton-Paterson reconstructs this great moment in Western culture, the shock of the music and the symphony's long afterlife." -- Publisher's description