عکاسی پایه ۰۶: کار با سیاه و سفید

It’s a black-and-white world with Basics Photography: Working in Black & White. This final title in the successful Basics Photography series covers all aspects of black-and-white photography in both film and digital formats. Ever wonder how colors become grayscale tones? Read this book, and understand. Understand, too, how photographers can learn to “see” in black and white, how to explore the great themes of black-and-white photography, and how to develop a mastery of black-and-white technique. Clear diagrams, inspiring examples, and dozens of useful hints and tips make this book a practical guide to a great art form. Title page......Page 2 Copyright......Page 3 Contents......Page 5 How to get the most out of this book......Page 7 Introduction......Page 9 Basic theory......Page 11 Black and white and greyscale......Page 13 History......Page 15 Photograms......Page 18 Colour to black and white......Page 19 Filtration......Page 23 Contrast......Page 30 The art of black and white......Page 35 Learning to ‘see’ in black and white......Page 37 Previsualisation and composition......Page 40 The great themes......Page 41 Older cameras/lensesfor a unique look......Page 59 Lighting......Page 61 Quality......Page 63 Direction......Page 66 Subject contrast......Page 67 Lighting contrast......Page 70 Subject brightness range......Page 71 Metering......Page 73 High-key and low-key imagery......Page 78 Infrared......Page 79 Capturing black and white......Page 81 Film and developer......Page 83 The ‘look’ of film......Page 85 Staining developers......Page 87 Exposure Index......Page 89 Chromogenic film......Page 92 Film grain......Page 93 Digital noise......Page 96 The Zone System......Page 97 Tone compression and expansion......Page 101 Instant black and white film......Page 104 Realising the image......Page 105 Printing to match the contrast of film......Page 107 Fixed-grade and variable-contrast papers......Page 109 Scanning film......Page 113 Local exposure control......Page 115 Paper choice......Page 122 Contact printing......Page 125 Digital negatives......Page 127 Liquid emulsion......Page 129 Colour to black and white......Page 132 Greyscale conversions......Page 133 Products for a‘film’ look......Page 143 Black-only printing......Page 151 The future......Page 153 Reintroducing colour......Page 155 Toning......Page 157 Digital toning......Page 163 Duotones, tritones and quadtones......Page 165 Oils, pastels and pencils on prints......Page 167 Digital hand colouring......Page 169 Conclusion......Page 173 Contacts......Page 174 Glossary......Page 175 Acknowledgements......Page 177 Back Cover......Page 178 "Basics Photography 06: Working in Black & White, by David Prk̃el, provides a comprehensive guide to the basic theory and practice of black and white photography, from the relationship between colour and greyscale tones to the art of seeing in black and white. Black and white, the book argues, has been the soul and conscience of photography since its conception. Black and white is not a lesser colour image - it is, in many ways, more powerful. It gets to the core of what is important in an image, leaving behind the distractions of colour. This is an inspiring text which enables students to make the most of the opportunities offered by black and white photography."--Bloomsbury Publishing Basics Photography 06: Working in Black & White, by David Präkel, provides a comprehensive guide to the basic theory and practice of black and white photography, from the relationship between colour and greyscale tones to the art of seeing in black and white.Black and white, the book argues, has been the soul and conscience of photography since its conception. Black and white is not a lesser colour image - it is, in many ways, more powerful. It gets to the core of what is important in an image, leaving behind the distractions of colour.This is an inspiring text which enables students to make the most of the opportunities offered by black and white photography. 'Working In Black & White' covers all aspects of black-and-white photography for both film and digital formats. The books explains basic theory, how colours become greyscale tones and how photographers can learn to 'see' in black-and-white