مبانی انیمیشن: فیلمنامه‌نویسی: یعنی توسعه و خلق متن برای نمایش، فیلم یا پخش

The Basics Animation series follows on from the successful title "The Fundamentals of Animation", and offers a concise but comprehensive account of a number of definitions and approaches to script, drawing upon the available literature. The book adopts a straightforward approach that is diagnostic, advisory and characterized by a range of examples. Most importantly, Basics Animation: Scriptwriting seeks to promote the distinctiveness of animation as a form of expression, and provides a clear account of the choices and approaches available to the scriptwriter / animator / director, and the particularities of each model. Inevitably, some of these models will have common approaches, but equally, there will be localized variations dependent upon the definition/understanding of animation adopted by individuals, companies, and studios. "The Lion King. Spirited Away." Wallace and Gromit. "Toy Story 2." What makes these animated movies great? The stories they tell, and the ways those stories are told. Animation can go where no other filmmaking can, and great scriptwriting can take animation where no other movies have. "Basics Animation: Scriptwriting," the follow-up to the successful title "The" "Fundamentals of Animation," looks at a variety of approaches to scriptwriting for animation using vivid examples from great animated movies. Author Paul Wells explores the distinctive qualities of animation as a form of creative expression and explains the choices and approaches available to the scriptwriter, the animator, and the director. Basics Animation: Scriptwriting addresses the full range of approaches to scripting and developing for animated films.It details the issues faced by the animation scriptwriter, and the techniques to overcome them. It also seeks to promote the unique qualities of animation as a form of expression, using many images to illustrate and emphasise points made in the text.This book looks at genres in animation as a starting point for scripting, employing a range of case studies from feature films to public relations work to independent productions, in order to reveal a range of approaches to writing. Offers a comprehensive account of definitions and approaches to script. This book seeks to promote the distinctiveness of animation as a form of expression, and provides an account of the choices and approaches available to the scriptwriter/animator/director, and the particularities of each model.