Auden's Games of Knowledge : Poetry and the Meanings of Homosexuality

The first full-length consideration of Auden as a homosexual poet, this volume shows that Auden's career was tied to a process of gay self-interrogation unparalleled in modern poetry and argues that he was driven by a powerful yearning to comprehend the psychological, political, and ethical implications of same-sex desire. Auden's theories about poetry in the 1930s and after reflected an intense concern with how to write publicly as a homosexual poet. That struggle was made manifest in his love poetry, which Bozorth argues constitutes a kind of "erotic autobiography" exploring the distinct challenges of homosexual love. Bozorth's approach is manifold, examining the poet's engagements with avant-garde poetics, gay subculture, psychoanalysis, leftist politics, and theology. This book proposes that from his early fascination with secret agent and trickster figures to his later theories of poetry as an I-Thou relation, Auden viewed poetry as a fictional but primal erotic encounter with the reader.

The first full-length consideration of Auden as a homosexual poet, this volume shows that Auden's career was tied to a process of gay self-interrogation unparalleled in modern poetry and argues that he was driven by a powerful yearning to comprehend the psychological, political, and ethical implications of same-sex desire.

Auden's theories about poetry in the 1930s and after reflected an intense concern with how to write publicly as a homosexual poet. That struggle was made manifest in his love poetry, which Bozorth argues constitutes a kind of erotic autobiography exploring the distinct challenges of homosexual love.

Bozorth's approach is manifold, examining the poet's engagements with avant-garde poetics, gay subculture, psychoanalysis, leftist politics, and theology. This book proposes that from his early fascination with secret agent and trickster figures to his later theories of poetry as an I-Thou relation, Auden viewed poetry as a fictional but primal erotic encounter with the reader.

Booknews

Bozorth (Southern Methodist U.) argues that British poet W. H. Auden's (1907-73) work embodies a process of homosexual self- interrogation that has few parallels in modernist literature. His preoccupation with the relationship between the private, the personal, and the political, he argues, reflected his negotiation of traditional constraints on gay, lesbian, and queer writers to speak publicly. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Stories of rape, murder, adultery, and conquest raise crucial ethical issues in the Hebrew Bible, and their interpretation guides many societies in forming their religious and moral convictions. From the sacrifice of Isaac to the adultery of David, narratives of sin engender vivid analysis and debate, powering the myths that form the basis of the religious covenant, or the relationship between a people and their God. Rereading these stories against different forms and contexts, Alan F. Segal demonstrates the significance of sinning throughout history and today. Drawing on literary and historical theory, as well as research in the social sciences, he explores the motivation for creating sin stories, their prevalence in the Hebrew Bible, and their possible meaning to Israelite readers and listeners. After introducing the basics of his approach and outlining several hermeneutical concepts, Segal conducts seven linked studies of specific narratives, using character and text to clarify problematic terms such as myth, typology, and orality. Following the reappearance and reinterpretation of these narratives in later compositions, he proves their lasting power in the mythology of Israel and the encapsulation of universal, perennially relevant themes. Segal ultimately positions the Hebrew Bible as a foundational moral text and a history book, offering uncommon insights into the dating of biblical events and the intentions of biblical authors. Stories of rape, murder, adultery, and conquest raise crucial issues in the Hebrew Bible, and their interpretation helps societies form their religious and moral beliefs. From the sacrifice of Isaac to the adultery of David, narratives of sin engender vivid analysis and debate, powering the myths that form the basis of the religious covenant, or the relationship between a people and their God. Rereading these stories in their different forms and varying contexts, Alan F. Segal demonstrates the significance of sinning throughout history and today. Drawing on literary and historical theory, as well as research in the social sciences, he explores the motivation for creating sin stories, their prevalence in the Hebrew Bible, and their possible meaning to Israelite readers and listeners. After introducing the basics of his approach and outlining several hermeneutical concepts, Segal conducts seven linked studies of specific narratives, using character and text to clarify problematic terms such as "myth," "typology," and "orality." Following the reappearance and reinterpretation of these narratives in later compositions, he proves their lasting power in the mythology of Israel and the encapsulation of universal, perennially relevant themes. Segal ultimately positions the Hebrew Bible as a foundational moral text and a history book, offering uncommon insights into the dating of biblical events and the intentions of biblical authors. But Who Would Get It? : Sexual Politics And Coterie Poetry -- The Question Is What Do We Mean By Sex : Diagnosis And Disorder -- Have You Heard This One? : Queer Revolution In Paid On Both Sides And The Orators -- What We See Depends On Who's Observing : Politics And Authority In The 1930s -- Tell Me The Truth About Love : Confessional Lyric And Lovers' Discourse -- Just What Appearances He Saves : God And The Unspeakable. Richard R. Bozorth. Includes Bibliographical References (p. [289]-297) And Indexes.