Artwashing the Past: Context Matters (Association for Research into Crimes Against Art)

Cover Half Title page Title page Copyright page Contents Foreword Preface Acknowledgments Part I: Introduction: The Artwashing of the Past Part II: Returning Antiquities to Their Country of Origin 1 Museums and the Looted World 2 Disputed Antiquities: How Do Museums Respond to the Evidence? 3 The Return of the Minneapolis Krater 4 The Returns from Princeton University Art Museum 5 The Returns from the Ny Carlsberg Glyptotek, Copenhagen 6 Dallas Museum of Art Takes the Initiative 7 Nostoi: Displaying Returning Antiquities to Italy Part III: Breaking up the Past 8 Fragmented Pots from the Collection of Dietrich von Bothmer 9 The Fragmentary Gifts of Werner Nussberger 10 Fragmented Athenian Cups Part IV: Remaining Questions Over Disputed Antiquities 11 Objects from Selinous at the J. Paul Getty Museum 12 The Minneapolis Doryphoros Part V: Selling the Past 13 Nikolas Koutoulakis, the Antiquities Market, and Due Diligence 14 Learning from the Sale of a Roman Herm: The Need for More Rigorous Due Diligence Searches 15 The Auction Market and Due Diligence: The Need for Action 16 Transparency and Good Faith in the Contemporary Antiquities Market 17 The European Fine Art Fair (TEFAF), Seizures, and Due Diligence 18 Compliance and the Antiquities Market Part VI: Sourcing Antiquities 19 Looting in the Balkans 20 From Palmyra to Mayfair: The Movement of Antiquities from Syria and Northern Iraq 21 Thefts from Museums and Archaeological Stores Part VII: Collecting Histories Matter 22 Collecting Histories and the Market for Classical Antiquities 23 The Leutwitz Apollo in the Cleveland Museum of Art 24 The Case of the Ka Nefer Nefer Mummy Mask in the St. Louis Art Museum 25 The Portraits of Drusus Minor and Tiberius from Sessa Aurunca, Italy Part VIII: Curating and Collecting the Past 26 Malibu Memoirs: Marion True and the J. Paul Getty Museum 27 The Graham Geddes Collection and Loans to Museums 28 Reflections on the Várez Fisa Collection in Madrid 29 Returns from the Shelby White Collection Part IX: Protecting the Past: Does the Approach in England Work? 30 The Roman Cavalry Parade Helmet Said to Be from Crosby Garrett in Cumbria 31 The Anglo-Saxon Coin Hoard from Lenborough in Buckinghamshire 32 Finding Portable Roman Objects in England Part X: Protecting the Past: International Agreements 33 Italy and the United States: Reviewing Cultural Property Agreements 34 Greece and the United States: Reviewing Cultural Property Agreements Part XI: Debating Cultural Property 35 Horse Trading: Museums, Exhibitions, and Cultural Property 36 Museums Matter: Context Matters 37 The Case for Retention References Index About the Author