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Art of Islam (Temporis)

معرفی کتاب «Art of Islam (Temporis)» نوشتهٔ Migeon, Gaston; Saladin, Henri، منتشرشده توسط نشر Parkstone International Ingram Publisher Services [distributor در سال 2009. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of Read more... Abstract: Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agr "Islamic art is not the art of a nation or of a people, but that of a religion - Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural works in which one recognises the stylisation of motives of the Muslim ceramics. Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth - the absolute necessity of creating works whose beauty equaled their respect for God."--Publisher description Architecture. The Near and Middle East -- North Africa and Spain -- Iran and the Persian school -- The Ottoman school -- Muslim India -- Fine arts. Sculpture -- Metal arts -- Metalwork and rock crystals -- Mosaics -- Manufactured products. Ceramics -- Enamelled glass -- Textiles -- Carpets -- The art of the book. Arab manuscripts -- Egyptian Korans -- Persian manuscripts -- Indo-Persian miniatures -- Turkish manuscripts.

Following the ideals of beauty of Islamic art, the book shows high-quality representations of numerous monumental masterpieces, such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra or the Alhambra in Granada, in which one recognises the stylisation of motives of the Muslim ceramics.

Annotation Following the ideals of beauty found in Islamic art, the book shows high-quality representations of numerous monumental masterpieces, such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra or the Alhambra in Granada, all of which embody the strik
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