Art history 101 . . . without the exams : looking closely at objects from the history of art

Why is something a masterpiece? Art History 101 . . . Without the Exams is about revisiting famous works of art that we may have studied in an art history class or seen in a textbook. Each discussion delves into one great masterpiece and asks the questions that help us understand how it has shaped history. What is the piece about? How did the original owner look at this piece? Where was it originally placed? Why is it in this museum now? How did it get famous? From the sixth-century mosaics of Ravenna and the painted bulls of Altamira, Spain, dated 12,500 BCE, to an incense burner from twelfth-century Seljuk Iran, frescoes from a Late Byzantine funerary chapel, and masterworks by Botticelli, Caravaggio, Monet, and Sargent, this book shows readers how to look closely. It welcomes us to the joy of art history—but without the papers, notes, and exams. About the Author Annie Montgomery Labatt is an associate professor of visual studies and the director of galleries and museums at Sweet Briar College in Virginia. She received her doctorate from Yale University. She was the recipient of a two-year Rome Prize and has been a junior fellow at the Dumbarton Oaks Research Library and a Chester Dale fellow at the Metropolitan Museum of Art. She is the author of Art History 101 without the Exams: Looking Closely at Objects from the History of Art , from Trinity University Press, and Emerging Iconographies of Medieval Rome: A Laboratory of Images in the Eighth and Ninth Centuries. "Beginning with prehistoric cave drawings and Greek statues; continuing through the Gothic, Byzantine, Baroque, and the Renaissance movements; and concluding with the Impressionist work of Monet and Picasso, Annie Labatt asks readers to consider each work and think about the artist who created it and what they wanted us to see. She frames our understanding of the piece's historical and social context as well as the artist's background and, in many cases, the patron who commissioned it. The discussion of each period stands alone and lends itself to be read in no particular order. From the tiniest details to the broadest cultural implications, the work helps readers see why these artworks are considered masterpieces"-- Provided by publisher A millennia of art history condensed into 20 accessible chapters