Art as the Absolute : Art’s Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer

"Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can "know" the absolute in non-conceptual, non-discursive terms. The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and "post-cursors" of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective."--Bloomsbury Publishing Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can know the absolute in non-conceptual, non-discursive terms. The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works during the thirty-three year period from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and post-cursors of this idea. Gordon shows and seeks to readdress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars interested in exploring aesthetics from both a literary and philosophical perspective. Cover Half-title Title Copyright Dedication Contents Preface Introduction: The Symposium on Art and the Absolute 1 Kant I: The Critique of Judgment 2 Kant II: The Critique of Teleological Judgment 3 Fichte: On the Spirit and the Letter in Philosophy 4 Schelling I: The System of Transcendental Idealism 5 Schelling II: The Philosophy of Art 6 Hegel: The Encyclopaedia and Lectures on Aesthetics 7 Schopenhauer: The World as Will and Representation Appendix: Nietzsche’s Wrath: Nietzsche’s Critique of the Kantian Absolute Bibliography Index