Art and Social Movements : Cultural Politics in Mexico and Aztlán
معرفی کتاب «Art and Social Movements : Cultural Politics in Mexico and Aztlán» نوشتهٔ Edward J. McCaughan، منتشرشده توسط نشر Duke University Press Books در سال 2012. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
"Art and Social Movements offers a comparative, cross-border analysis of the role of visual artists in three social movements from the late 1960s through the early 1990s: the 1968 student movement and related activist art collectives in Mexico City, a Zapotec indigenous struggle in Oaxaca, and the Chicano movement in California. Based on extensive archival research and interviews, Edward J. McCaughan explores how artists helped to shape the identities and visions of a generation of Mexican and Chicano activists by creating new visual discourses. McCaughan argues that the social power of activist artists emanates from their ability to provoke people to see, think, and act in innovative ways. Artists, he claims, help to create visual languages and spaces through which activists can imagine and perform new collective identities and forms of meaningful citizenship. The artists' work that he discusses remains vital today -- in movements demanding fuller democratic rights and social justice for working people, women, ethnic communities, immigrants, and sexual minorities throughout Mexico and the United States. Integrating insights from scholarship on the cultural politics of representation with structural analyses of specific historical contexts, McCaughan expands our understanding of social movements."--Publisher's description This is a study of artist/activists and their participation in social movements in the 1960s, 70s, and 80s, in Mexico City, Oaxaca, and California. McCaughan places the three movements within their own local histories, cultures, and conditions, but also links them to the 1968 rebellions that were going on across the world. Contents List of Illustrations Preface: “The Heart Has Its Reasons” Acknowledgments One: Signs of the Times Two: Signs of Citizenship Three: Signs of (Be)longing and Exclusion Four: The Significance of Style Five: Creative Spaces Six: Creative Power Postscript: Of Legacies and the Aroma of Popcorn Notes References Index
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