Archaeology Hotspot Egypt: Unearthing the Past for Armchair Archaeologists (Archaeology Hotspots)

Cultural heritage is material – tangible and intangible – that signifies a culture’s history or legacy. It has become a venue for contestation, ranging in scale from protesting to violently claimed and destroyed. But who defines what is to be preserved and what is to be erased? As cultural heritage becomes increasingly significant across the world, the number of issues for critical analysis and, hopefully, mediation, arise. The issue stems from various groups: religious, ethnic, national, political, and others come together to claim, appropriate, use, exclude, or erase markers and manifestations of their own and others’ cultural heritage as a means for asserting, defending, or denying critical claims to power, land, and legitimacy. Can cultural heritage be well managed and promoted while at the same time kept within parameters so as to diminish contestation? The cases herein rage from Greece, Spain, Egypt, the UK, Syria, Zimbabwe, Italy, the Balkans, Bénin, and Central America. The theft, trafficking, and falsification of cultural property and cultural heritage objects are crimes of a particularly complex nature, which often have international ramifications and significant economic consequences. Organized criminal groups of various types and origins are involved in these illegal acts. The book Crime in the Art and Antiquities World has contributions both from researchers specializing in the illegal trafficking of art, and representatives of international institutions involved with prevention and detection of cultural property-related crimes, such as Interpol and UNESCO. This work is a unique and useful reference for scholars and private and public bodies alike. This innovative volume also includes an Appendix of the existing legal texts, i.e. international treaties, conventions, and resolutions, which have not previously been available in a single volume. As anyone who has undertaken research or study relating to the protection of cultural heritage discovers one of the frustrations encountered is the absence of ready access to the multi- various international instruments which exist in the field. Since the end of the Second World War these instruments have proliferated, first in response to increasing recognition of the need for concerted multinational action to give better protection to cultural property during armed conflict as well as ensuring the repatriation of cultural property looted during such conflict. Thus the international community agreed in 1954 upon a Convention for the Protection of Cultural Property in the Event of Armed Conflict. That Convention, typically referred to as the Hague Convention of 1954, is now to be found reproduced in the Appendix to this book (Appendix I) together with 25 other important and diverse documents that we believe represent a core of the essential international sources of reference in this subject area. In presenting these documents in one place we hope that readers will now experience less frustration while having the benefit of supplementing their understanding and interpretation of the various instruments by referring to individual chapters in the book dealing with a particular issue or topic. For example, Chapter 9 by Mathew Bogdanos provides some specific and at times rather depressing descriptions of the application in the field of the Hague Convention 1954, and its Protocols (Appendices II and III), to the armed conflict in Iraq. Reference may also be had to the resolution of the UN Security Council in May 2003 (Appendix VI) urging Member States to take appropriate steps to facilitate the safe return of looted Iraqi cultural property taken from the Iraq National Museum, the National Library and other locations in Iraq. Despite such pleas the international antiquities market seems to have continued to trade such looted property in a largely unfettered manner, as demonstrated by Neil Brodie in Chapter 7. Fittingly, as referred to in the Preface to this book, the last document contained in the Appendix (Appendix 26) is the “Charter of Courmayeur”, formulated at a ground breaking international workshop on the protection of cultural property conducted by the International Scientific and Professional Advisory Council (ISPAC) to the United Nations Crime Prevention and Criminal Justice Program in Courmayeur, Italy, in June 1992. The Charter makes mention of many of the instruments contained in the Appendix while also foreshadowing many of the developments which have taken place in the ensuing two decades designed to combat illicit trafficking in cultural property through international collaboration and action in the arena of crime prevention and criminal justice. The Archaeology Hotspots series offers reader-friendly and engaging narratives of the archaeology in particular countries. Written by archaeological experts with a general reader in mind, each book in the series focuses on what has been found and by whom, what the controversies and scandals have been, ongoing projects, and how it all fits into a broader view of the history of the country. In Archaeology Hotspot Egypt, scholar Julian Heath provides a chronological overview beginning with handaxes left by Homo erectus during the Lower Paleolithic and moving onwards through pharaonic Egypt to finish in the Greco-Roman period. He covers the most interesting finds#8212;including Tutankhamen's tomb and the Rosetta Stone#8212;and profiles major personalities, past and present. Current digs and recent insights on the past are also covered, such as the massive tomb of KV5 and how contemporary scientific techniques are unearthing new information about ancient Egyptian people and animals. The result is an illuminating look at the history, culture, national heritage, and current archaeological news of Egypt#8212;a hotspot of archaeology The Archaeology Hotspots series offers reader-friendly and engaging narratives of the archaeology in particular countries. Written by archaeological experts with a general reader in mind, each book in the series focuses on what has been found and by whom, what the controversies and scandals have been, ongoing projects, and how it all fits into a broader view of the history of the country. In Archaeology Hotspot Egypt, scholar Julian Heath provides a chronological overview beginning with handaxes left by Homo erectus during the Lower Paleolithic and moving onwards through pharaonic Egypt to finish in the Greco-Roman period. He covers the most interesting finds including Tutankhamen s tomb and the Rosetta Stone and profiles major personalities, past and present. Current digs and recent insights on the past are also covered, such as the massive tomb of KV5 and how contemporary scientific techniques are unearthing new information about ancient Egyptian people and animals. The result is an illuminating look at the history, culture, national heritage, and current events of Egypt a hotspot of archaeology." The theft, trafficking, and falsification of cultural property and cultural heritage objects are crimes of a particularly complex nature, which often have international ramifications and significant economic consequences. Organized criminal groups of various types and origins are involved in these illegal acts. The book Crime in the Art and Antiquities World has contributions both from researchers specializing in the illegal trafficking of art, and representatives of international institutions involved with prevention and detection of cultural property-related crimes, such as Interpol and UNESCO. This innovative volume also includes an Appendix of the existing legal texts, i.e. international treaties, conventions, and resolutions, which have not previously been available in a single volume. This work is a unique and useful reference for scholars and private and public bodies alike The theft, trafficking and falsification of cultural property/heritage are crimes of a particularly complex nature, that often have international ramifications and significant economic consequences. Organized criminal groups of various types and origins are involved in these illegal acts. The book Crime in the Art and Antiquities World contains both contributions from researchers specializing in the illegal trafficking of art as well as contributions from representatives of international institutions involved with prevention and detection of cultural property related crimes, such as Interpol a Introducing ancient Egypt From hand axes to mummy portraits: the archaeology of ancient Egypt Famous figures in egyptology Controversies and scandals in egyptology Harming Egypt's past: the antiquities market Contributions to knowledge of the past Current digs Epilogue: learning more about ancient Egypt. The theft, trafficking and falsification of art are complex crimes that often have international ramifications and economic consequences. This volume contains both contributions from illegal trafficking of art specialists and experts from international institutions, including Interpol and UNESCO. Indhold: From hand axes to mummy portraits: the archaeology of ancient Egypt ; Famous figures in egyptology ; Controversies and scandals in egyptology ; Harming Egypt's past: the antiquities market ; Contributions to knowledge of the past ; Current digs An accessible and entertaining story of Egypt’s archaeology, this book covers the hand axes of Homo erectus to the latest findings from KV5; all while considering the backdrop of Egypt's history, culture, and national heritage. pt. 1. Illicit trafficking in cultural heritage : the criminological perspective pt. 2. Case studies pt. 3. Prevention and control.