Archaeologies of visual culture : gazes, optical devices and images from 17th to 20th century literature : with 38 figures

This book analyzes different historical and cultural staging of gazes, otpical devices and images in the context of a discipline that goes by the name of visual culture. Here literary studies have contaminated and thus expanded their original field of investigation not only addressing, as in the past, the question of the relationship between verbal and visual, but also giving substance to this interweaving with an in-depth questioning about the meaning gazes, images and vision devices or, more generally, the visual media can have on literature. This research tries to define the ways in which changing cultures have addressed these questions; in particular in which ways English early modern culture, German nineteenth century fantastic, and French twentieth century natural ékphrasis have done it. "This book analyzes the interplay of gazes, optical devices and images in literature. Following the developments of Visual Culture studies, literary theory has expanded its original field of investigation and addresses, beyond the traditional relationship between the verbal and the visual, the influence that gazes, optical devices and images can have on literary texts. This research tries to define the literary lives of the scopic regimes of modernity: the gazes of English early modern women's writing, the optical devices in German literature between Classicism and Romanticism, and the images of the mineral world in modern French aesthetics."--Amazon.com This book tries to redefine the boundaries of art history and literary history, committing to literature the task of both detailing and distinguishing the major Western scopic regimes ***Angaben zur beteiligten Person Cammarata: Prof Dr Valeria Cammarata teaches Comparative Literature, Visual Culture and Cultural Studies at the University of Palermo A redefinition of the boundaries of art history and literary history