Antonio Vivaldi: The Red Priest of Venice (Amadeus)

Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history. Karl Heller's biography of Antonio Vivaldi, originally published in Germany in 1991 in celebration of the 250th anniversary of the composer's death, presents the most important facets of Vivaldi's life, of his works, and of his influence on music history. This new English translation incorporates recent Vivaldi research by the author and others, providing new factual material and fresh insights, including the latest painstaking efforts at dating Vivaldi's compositions. Written for musicians and music students as well as for the many other lovers of Vivaldi's music, the book also offers musicologists little-known material, new information, and new perspectives on the composer [Publisher description]

Karl Heller's biography of Antonio Vivaldi, originally published in Germany in 1991 in celebration of the 250th anniversary of the composer's death, presents the most important facets of Vivaldi's life, of his works, and of his influence on music history. This new English translation incorporates recent Vivaldi research by the author and others, providing new factual material and fresh insights, including the latest painstaking efforts at dating Vivaldi's compositions. Written for musicians and music students as well as for the many other lovers of Vivaldi's music, the book also offers musicologists little-known material, new information, and new perspectives on the composer.

Library Journal

Partially revised from the original 1991 German-language version, this minutely detailed biographical and analytical study of Vivaldi's life and works by Heller (historical musicology, Univ. of Rostock, Germany) is not easy to read. Inessential details abound, and the writing is plodding and pedantic. Vivaldi wrote an enormous amount of music, and the author attempts to say something about nearly all of it, perhaps one of the problems. Still, it is useful to have all the facts in one place. For larger music collections.Timothy J. McGee, Univ. of Toronto