ضد زشتی: سفرهایی در معماری و طراحی انگلیسی
Anti-ugly : excursions in English architecture and design
معرفی کتاب «ضد زشتی: سفرهایی در معماری و طراحی انگلیسی» (با عنوان لاتین Anti-ugly : excursions in English architecture and design) نوشتهٔ Stamp, Gavin، منتشرشده توسط نشر Aurum Press Ltd در سال 2013. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Since 2004 Gavin Stamp, one of Britain's most eminent and readable architectural historians, has written a monthly column for Apollo , the esteemed architecture and fine art magazine. The subject is simply whatever in design or architecture happens to take his fancy. It might be the splendid reopening of the magnificent Midland Grand Hotel at St Pancras Station, or the dilapidation of a little-known church in Eastbourne; the much-lamented demise of the original Routemaster bus, or the colossal majesty of the airship sheds that housed the R.101. But while these pieces display a wonderful range and variety, they are unified by Stamp's wider quest: to explore, define and champion the very Englishness of English architecture and design. When fine examples are preserved and restored, he celebrates; when they fall victim to philistine neglect – or, worse, demolition – he mourns. And when the elegant is overshadowed by the merely modish, he deplores. In Anti-Ugly , Stamp has selected the best of these 'excursions', producing a compulsively readable collection that builds into an eloquent, learned, trenchant and often indignant portrait of our national design heritage. For some years Gavin Stamp, one of our most eminent - and readable - architectural historians - has written a monthly column for Apollo, the pre-eminent architecture and fine art magazine. The subjects are simply whatever architectural or design questions happen to take his fancy - it might be the splendid reopening of the magnificent Midland Grand Hotel at St Pancras, or the dilapidation of a little-known church in Eastbourne, or the demise of the Routemaster bus, or a paean to wrought-iron railings. Together, this compulsively readable collection builds into an eloquent, learned, trenchant and often indignant portrait of our national design heritage
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