Anthology of Post-Tonal Music : For Use with Understanding Post-Tonal Music

This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first century, from pieces by Debussy, Stravinsky, and Bartok to works by Arvo Pärt, Thomas Adès, and Kaija Saariaho. Showcasing the vast range of compositional styles encompassed in the post-tonal era, this volume offers a convenient compendium including hard-to-find scores. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francolí, which includes extensive analyses of the scores provided here, this anthology can also stand alone for study and analysis in other courses on the history and analysis of post-tonal music. Contents Preface 1 “La cathédrale engloutie,” No. 10 From Preludes, Book I (1910) • Claude Debussy 2 “Canope,” No. 10 From Preludes, Book II (1910–13) • Claude Debussy 3 “Sarabande,” From Pour le piano (1894–1901) • Claude Debussy 4 Introduction to Part I, From The Rite of Spring (1913) • Igor Stravinsky 5 “Song of the Harvest,” No. 33 From Forty-Four Violin Duets (1931) • Béla Bartók 6 “Whole-Tone Scale,” No. 136 From Mikrokosmos, Vol. 5 (1932–39) • Béla BartókBéla Bartók 7 “Diminished Fifth,” No. 101 From Mikrokosmos, Vol. 4 (1932–39) • Béla Bartók 8 “From the Island of Bali,” No. 109 From Mikrokosmos, Vol. 4 (1932–39) • Béla Bartók 9 Five Movements for String Quartet, op. 5, II (1909) • Anton Webern 10 Five Movements For String Quartet, op. 5, III (1909) • Anton Webern 11 “Angst und Hoffen,” No. 7 From Book of The Hanging Gardens, op. 15 (1909) • Arnold Schoenberg 12 “Schlafend trägt man mich,” No. 2 From Four Songs, op. 2 (1908–09) • Alban Berg 13 Agnus Dei, From Mass (1944–48) • Igor Stravinsky 14 Interlude in G, From Ludus tonalis (1942) • Paul Hindemith 15 “Vom Tode Mariä I,” From Das Marienleben (1923) • Paul Hindemith 16 “The Cage,” From 114 Songs (1906) • Charles Ives 17 Diaphonic Suite No. 4, III (1930) • Ruth Crawford-Seeger 18 “Contrapunctus secundus,” No. 5 From Quaderno musicale di Annalibera (1952–53) • Luigi Dallapiccola 19 “Wie bin ich froh,” No. 1 From Drei Lieder, op. 25 (1935) • Anton Webern 20 Piano Variations, op. 27, II (1935–36) • Anton Webern 21 Klavierstück, op. 33a (1929) • Arnold Schoenberg 22 “Lacrimosa,” From Requiem Canticles (1966) • Igor Stravinsky 23 Structures Ia, Mm. 1–39 (1952) • Pierre Boulez 24 Turangalîla Symphony, Introduction, Reh. 12–22 (1946–48) • Olivier Messiaen 25 Stimmung (Three Pages: Formschema, One Sample Page of Modelle, and One Sample Page of Magische Namen ) (1968) • Karlheinz Stockhausen 26 Jeux vénitiens, I (1960–61) • Witold Lutosławski 27 St. Luke Passion, No. 13, “Et Surgens Omnis Multitudo” (1965) • Krzysztof Penderecki 28 String Quartet No. 2, Reh. 1–21 (1987) • Sofia Gubaidulina 29 Telemusik, Sections 1–5 (1966) • Karlheinz Stockhausen 30 Riverrun, 0:00–8:48 (1986) • Barry Truax 31 Sinfonia, III (“In ruhig fliessender Bewegung”), Mm. 1–96 (to Reh. E) (1968) • Luciano Berio 32 Ramifications, Mm. 1–44 (1968–69) • György Ligeti 33 “Primeval Sounds,” No. 1 From Makrokosmos, Vol. 1 (1972–73) • George Crumb 34 “Dream Images (Love-Death Music),” No. 11 From Makrokosmos, Vol. 1 (1972–73) • George Crumb 35 Violin Phase (1967) • Steve Reich 36 Nixon in China, Act I, “News” Aria, Mm. 374–542 (1987) • John Adams 37 Cantus (1977) • Arvo Pärt 38 Adjustable Wrench, Mm. 1–72 (1987) • Michael Torke 39 Spring Song, Mm. 1–41 (1995) • Augusta Read Thomas 40 Asyla, II, Mm. 1–43 (1997) • Thomas Adès 41 Ariel’s Hail (2000) • Kaija Saariaho Acknowledgment of Sources "This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first, from pieces by Debussy, Stravinsky, and Bartok to works by Arvo Pärt, Thomas Adès, and Kaija Saariaho. Showcasing the vast range of compositional styles encompassed in the post-tonal era, this volume offers a convenient compendium including hard-to-find scores. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francolí, which includes extensive analyses of the scores provided here, this Anthology can also stand alone for study and analysis in other courses on the history and analysis of post-tonal music"-- Provided by publisher This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francolí, this Anthology can also stand alone for study of the history and analysis of post-tonal music.