And I do not forgive you : stories and other revenges

Sparks (The Unfinished World) impresses with her exceptional collection of wry, feminist stories. “A Place for Hiding Precious Things” is an incendiary retelling of the fairy tale “Donkeyskin” that features a young princess’s escape into contemporary Manhattan from her father’s incestuous desires. A high school girl with a pitch-perfect teen voice lives with her dysfunctional family in a trailer park in “Everyone’s a Winner in Meadow Park” and is bored with the “weird pioneer girl” that haunts her until the ghost proves herself useful with homework and warding off sexual advances. Climate change and societal collapse set the stage for a woman’s ex-husband’s transformation into a religious despot who builds a giant tower in “We Destroy the Moon.” Some stories smuggle incredible emotional impact into surprisingly few pages, including the haunting, unexplained severing of a friendship in “Mildly Unhappy with Moments of Joy” and a queen who attempts to outrace a rapidly approaching future through a strange form of time-travel in “Is the Future a Nice Place for Girls.” The time management–obsessed father in “The Eyes of Saint Lucy” foists his mistress’s baby on his wife and daughter, leading to a chilling, macabre twist. Sparks’s sardonic wit never distracts from her polished dismantling of everyday and extraordinary abuses. Readers will love this remarkable, deliciously caustic collection. (Feb.) Populated with such heroes as time-traveling queens and video-game designing goddesses, and such specters as clingy ghosts and mediocre men, And I do Not Forgive You is tethered intricately by shades of rage. Boldly blending fables and myths with apocalyptic technologies, Amber Sparks holds a singular role in the canon of the weird. Having garnered acclaim for her shimmering collection The Unfinished World, she reaches uncanny heights with And I Do Not Forgive You. In prose that beats with urgency, these contemporary stories read like the best of fairytales-which are, as Sparks writes, just a warning disguised as a wish. In "Mildly Happy, With Moments of Joy," a friend is ghosted by a simple text message; in "Everyone's a Winner at Meadow Park," a teen precariously coming of age in a trailer park befriends an actual ghost. Indeed, the depths of friendship are examined under the most trying circumstances. Humorous and unapologetically fierce, other stories shine an interrogating light on the adage that "history likes to lie about women"? as the subjects of "You Won't Believe What Really Happened to the Sabine Women" (it's true, you won't) will attest. Sparks employs her vast knowledge of the morbid and macabre in "The Eyes of Saint Lucy," in which a young girl creates elaborately violent dioramas of famous saints with her mother. And in "A Short and Speculative History of Lavoisier's Wife," the great efforts of French chemist Lavoisier's widow to ensure his legacy are chillingly revealed. Taken together, this hypnotic and otherworldly collection seeks to reclaim the lives of the silenced. And what is history, Sparks asks, but the chance to dig up our skeletons and give them new stories? Humorous and unapologetically fierce, And I Do Not Forgive You offers a mosaic of an all-too-real world that too often fails to listen to its goddesses Amber Sparks holds her crown in the canon of the weird with this fantastical collection of “eye-popping range” (John Domini, Washington Post). Boldly blending fables and myths with apocalyptic technologies, Amber Sparks has built a cultlike following with And I Do Not Forgive You. Fueled by feminism in all its colors, her surreal worlds—like Kelly Link’s and Karen Russell’s—are all-too-real. In “Mildly Happy, With Moments of Joy,” a friend is ghosted by a text message; in “Everyone’s a Winner at Meadow Park,” a teen coming-of-age in a trailer park befriends an actual ghost. Rife with “sharp wit, and an abiding tenderness” (Ilana Masad, NPR), these stories shine an interrogating light on the adage that “history likes to lie about women,” as the subjects of “You Won’t Believe What Really Happened to the Sabine Women” will attest. Written in prose that both shimmers and stings, the result is “nothing short of a raging success, a volume that points to a potentially incandescent literary future” (Kurt Baumeister, The Brooklyn Rail). "Exciting fans of such writers as Kelly Link, Karen Russell, and Carmen Maria Machado with prose that shimmers and stings, Amber Sparks holds a singular role in the canon of the weird. Now, she reaches new, uncanny heights with And I Do Not Forgive You. In "Mildly Happy, With Moments of Joy," a friend is ghosted by a simple text message; in "Everyone's a Winner at Meadow Park," a teen precariously coming of age in a trailer park befriends an actual ghost. At once humorous and unapologetically fierce, these stories shine an interrogating light on the adage that "history likes to lie about women"--As the subjects of "A Short and Speculative History of Lavoisier's Wife" and "You Won't Believe What Really Happened to the Sabine Women" (it's true, you won't) will attest. Blending fairy tales and myths with apocalyptic technologies, all tethered intricately by shades of rage, And I Do Not Forgive You offers a mosaic of an all- too- real world that fails to listen to its silenced goddesses"-- Provided by publisher