America’s Most Famous Catholic (According to Himself) : Stephen Colbert and American Religion in the Twenty-First Century

This book investigates the religious identity and authority of Stephen Colbert and his character Stephen Colbert. By exploring Colbert’s position as a lay catechist and televised comedian, this book examines how Catholicism shapes Colbert’s experiences, and how Colbert and his persona nuance American Catholicism and the polarized American religious landscape. Explores how Colbert and his persona present their Catholic identities and analyzes Colbert’s interactions with political and religious authority. A case study of the intersection of humor and American Catholicism in contemporary society. For nine years, Stephen Colbert's persona "Colbert"?a Republican superhero and parody of conservative political pundits?informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, "Is Colbert a practicing Catholic in real life or is this part of his act?" This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set "Colbert" apart on his show, The Colbert Report , was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent. Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert's life and world towards a conversation about how "Colbert" shapes Catholicism. Brehm provides historical context by discovering how "Colbert" compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show , where he continues to be voice for Catholicism on late night, now to an even broader audience. America's Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert. Praise for America's Most Famous Catholic (According to Himself) "Combining the interpretative skills of an academic with a natural appreciation for pop culture, Brehm offers a lively look at why the 'new evangelization' may be just as much the responsibility of comics as of clerics." —James Martin, SJ, Jesuit priest and author of Jesus: A Pilgrimage and The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life "Anyone interested in religious comedy's recent history in America will enjoy Stephanie Brehm's book . . . If you want to study how humor, social media and entertainment inform and mold our church and public opinion today, this book will be a good choice for you."? Catholic Philly

For nine years, Stephen Colbert's persona, "Colbert"-a Republican superhero and parody of conservative political pundits-informed audiences on current events, politics, social issues, and religion, while lampooning conservative political policy, biblical literalism, and religious hypocrisy. As devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, "Is Colbert a practicing Catholic in real life or is this part of his act?"America's Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholicmores through his faith and comedy.

Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years. What set COLBERT apart on his Comedy Central show,The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.

Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005-2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert's life and world towards a conversation about how COLBERT shapes Catholicism. Brehm provides historical context by discovering how COLBERT compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert onThe Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience.

America's Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to see clearly the religious elements in the work and life of comedian Stephen Colbert. Explores how Colbert and his persona present their Catholic identities and analyzes Colbert's interactions with political and religious authority.Examine how Colbert, as a lay religious figure, shapes messages about Catholicism and religion to broader American audiences. It intervenes in the field by placing a Catholic humorist and entertainer at the center of American religious history.Places Colbert in a lineage of Catholic entertainers who have complicated relationships with the institutional Catholic Church. Looking at religion through comedian Colbert redefines who, what, and where Catholics dwell in American society

For nine years, Stephen Colbert’s persona “Colbert”—a Republican superhero and parody of conservative political pundits—informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” America’s Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.

Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years. What set “Colbert” apart on his Comedy Central show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.

Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience.

America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to see clearly the religious elements in the work and life of comedian Stephen Colbert.

Or nine years, Stephen Colbert's persona, "Colbert"--A Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion, while lampooning conservative political policy, biblical literalism, and religious hypocrisy. As devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, "Is Colbert a practicing Catholic in real life or is this part of his act?" America's Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years. What set COLBERT apart on his Comedy Central show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent. Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005-2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert's life and world towards a conversation about how COLBERT shapes Catholicism. Brehm provides historical context by discovering how COLBERT compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience. America's Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to see clearly the religious elements in the work and life of comedian Stephen Colbert Brehm provides historical context by discovering how "Colbert" compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be a voice for Catholicism on late night, now to an even broader audience.America's Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. For nine years, Stephen Colbert's persona, "Colbert"--a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. As devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, "Is Colbert a practicing Catholic in real life or is this part of his act?" America's Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years.