American popular culture in the era of terror : falling skies, dark knights rising, and collapsing cultures

Bringing together the most popular genres of the 21st century, this book argues that Americans have entered a new era of narrative dominated by the fear—and wish fulfillment—of the breakdown of authority and terror itself.Bringing together disparate and popular genres of the 21st century, American Popular Culture in the Era of Terror: Falling Skies, Dark Knights Rising, and Collapsing Cultures argues that popular culture has been preoccupied by fantasies and narratives dominated by the anxiety —and, strangely, the wish fulfillment—that comes from the breakdowns of morality, family, law and order, and storytelling itself. From aging superheroes to young adult dystopias, heroic killers to lustrous vampires, the figures of our fiction, film, and television again and again reveal and revel in the imagery of terror. Kavadlo's single-author, thesis-driven book makes the case that many of the novels and films about September 11, 2001, have been about much more than terrorism alone, while popular stories that may not seem related to September 11 are deeply connected to it. The book examines New York novels written in response to September 11 along with the anti-heroes of television and the resurgence of zombies and vampires in film and fiction to draw a correlation between Kavadlo's'Era of Terror'and the events of September 11, 2001. Geared toward college students, graduate students, and academics interested in popular culture, the book connects multiple topics to appeal to a wide audience. Bringing together disparate and popular genres of the 21st century, American Popular Culture in the Era of Terror: Falling Skies, Dark Knights Rising, and Collapsing Cultures argues that popular culture has been preoccupied by fantasies and narratives dominated by the anxiety —and, strangely, the wish fulfillment—that comes from the breakdowns of morality, family, law and order, and storytelling itself. From aging superheroes to young adult dystopias, heroic killers to lustrous vampires, the figures of our fiction, film, and television again and again reveal and revel in the imagery of terror. Kavadlo's single-author, thesis-driven book makes the case that many of the novels and films about September 11, 2001, have been about much more than terrorism alone, while popular stories that may not seem related to September 11 are deeply connected to it. The book examines New York novels written in response to September 11 along with the anti-heroes of television and the resurgence of zombies and vampires in film and fiction to draw a correlation between Kavadlo's "Era of Terror" and the events of September 11, 2001. Geared toward college students, graduate students, and academics interested in popular culture, the book connects multiple topics to appeal to a wide audience. Cover Half Title Title Page Copyright Contents Acknowledgments Introduction 1: With Us and Against Us: Chuck Palahniuk's Homegrown Terror of the 1990s 2: Falling Towers, Falling Planes, and Falling Men: Trauma as Domestic Drama 3: War on Terror: Our Monsters, Ourselves 4: We Have to Go Back: Television's Lost after 9/11 5: 9/11 Did Not Take Place: Apocalypse and Amnesia in Film and Cormac McCarthy's The Road 6: Bedtime Stories after the End of the World: Coming of Age in a Future of Fear 7: The Absurd Hero: Escapism, The Dark Knight Trilogy, and the Literature of Struggle Conclusion: Undo: Is the Sky Falling?Notes Selected Bibliography Index With us and against us: Chuck Palahniuk's homegrown terror of the 1990s Falling towers, falling planes, and falling men: trauma as domestic drama War on terror: our monsters, ourselves We have to go back: television's lost after 9/11 9/11 did not take place: apocalypse and amnesia in film and Cormac McCarthy's the road Bedtime stories after the end of the world: the Hunger games in a future of fear the absurd hero: escapism, the Dark knight trilogy, and the literature of struggle conclusion: Undo: is the sky falling?