Alice in wonderland ; Through the looking glass and what Alice found there

Carroll's classic stories reunited with Peake's celebrated illustrations, restored for the first time to their original glory. In the 1940s, Gormenghast trilogy author Mervyn Peake was commissioned to produce a series of seventy pen-and-ink drawings to accompany Lewis Carroll's two classics, Alice's Adventures in Wonderland and Through the Looking-Glass. Previously admired for his illustrations of Treasure Island and The Rime of the Ancient Mariner, Peake set to work, producing such luminous, eccentric images that Graham Greene would later refer to him as 'the first artist since Tenniel to recast Alice in a contemporary mould.' In these editions, Peake's marvelous illustrations, many of them originally drawn on poor quality wartime paper, have been meticulously reproduced as they were meant to be seen. Thanks to a combination of old-fashioned craft and cutting-edge computer technology, the delightful images shine for the first time in over two decades alongside Carroll's fantastically eccentric text. With introductions by modern literary masters Will Self and Zadie Smith, these beautifully designed and printed books are the perfect gift for adults and children alike. AUTHORBIO: Charles Lutwidge Dodgson (1832-98), a.k.a. Lewis Carroll, was a lecturer in Mathematics at Oxford University when he wrote Alice in Wonderland (1865) and Through the Looking-Glass (1871). Mervyn Peake (1911-68) was an artist and writer. His illustration credits include Treasure Island, The Rime of the Ancient Mariner, and the Brothers Grimm's Household Tales. As a novelist, he is best known for his Gormenghast trilogy. *Through the Looking-Glass, and What Alice Found There* (1871) is a work of children's literature by Lewis Carroll (Charles Lutwidge Dodgson), generally categorized in the fairy tale genre. It is the sequel to *Alice's Adventures in Wonderland* (1865). Although it makes no reference to the events in the earlier book, the themes and settings of *Through the Looking-Glass* make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May, uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on November 4 (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on. ([Wikipedia][1]) [1]: http://en.wikipedia.org/wiki/Through_the_Looking-Glass In this sequel to "Alice in Wonderland," Alice goes through the mirror to find a strange world where curious adventures await her Littérature de jeunesse en langue anglaise