Afro-Realisms and the Romances of Race : Rethinking Blackness in the African American Novel

**Winner of the SAMLA Studies Award** **Honorable Mention for the MLA William Sanders Scarborough Prize** From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In __Afro -Realisms and the Romances of Race__, Melissa Daniels- Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience. In this provocative and challenging book, Daniels -Rauterkus contests the long -standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels- Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction. Combining literary history with close textual analysis, Daniels -Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels -Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America. With __Afro- Realisms and the Romances of Race__, Daniels- Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization.

Winner of the SAMLA Studies Award
Honorable Mention for the MLA William Sanders Scarborough Prize

From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In Afro­-Realisms and the Romances of Race, Melissa Daniels-­Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience.

In this provocative and challenging book, Daniels­-Rauterkus contests the long­-standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-­Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction.

Combining literary history with close textual analysis, Daniels­-Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels­-Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America.

With Afro-­Realisms and the Romances of Race, Daniels-­Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization.

"In Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel, Melissa Daniels-Rauterkus argues that, in the years after Reconstruction, black and white writers alike adopted literary strategies that blended realism and romance to address the horrors endured by African Americans. As they forged a more objective and detached form of realist writing, authors drew from earlier literary modes-such as gothic, historical, and sentimental romances-to render the drama of racism as emotional, personal, and subjective. By doing so, black and white authors produced a distinctive style of hybrid writing, what Daniels-Rauterkus terms "Afro-realism," or black literary realism, made up of both mimetic and melodramatic conventions. Focusing on key novels by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus discusses how the narrative conventions and strategies of the romance-astonishing events, fantastic settings, a tendency toward melodrama, and gothic plotlines-punctuate and structure realist writings about race. For Daniels-Rauterkus, this practice constitutes "realism's romance of race," a modality that organizes much of the literature by or about African Americans produced during the late nineteenth and early twentieth century. Daniels-Rauterkus uncovers the means by which authors advocated on behalf of African Americans, challenged popular theories of racial identity and interracial marriage, disrupted the expectations of the literary marketplace, and widened the possibilities for black representation in fiction. Afro-Realisms and the Romances of Race expands critical understandings of American literary realism by destabilizing the rigid binaries that often organize discussions of race, genre, and periodization. This compelling book models ways of reading hybrid genres and the racially mixed literary genealogies that come into view when race is brought to the forefront of critical analysis"-- Provided by publisher From the 1880s to the early 1900s, a particularly turbulent period of US race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. This book explores how writers experimented with innovative narrative strategies to revise stereotypical views of black identity and experience.