African Diaspora in the Cultures of Latin America, the Caribbean, and the United States
معرفی کتاب «African Diaspora in the Cultures of Latin America, the Caribbean, and the United States» نوشتهٔ Persephone Braham; Paulina Alberto; Eddie Chambers; Mnica Domnguez Torres; Colette Gaiter; Carla Guerrn Montero; Carol E. Henderson; Camara Holloway; Wayne G Marshall; Julie L. McGee; Robin D. Moore; Ifeoma Nwankwo; Phillip Penix-Tadsen; Lorrin Thomas، منتشرشده توسط نشر University of Delaware Press در سال 2014. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Résumé en 4ème de couverture: "Scholars of the African Americas are sometimes segregated from one another by region or period, by language, or by discipline. Bringing together essays on fashion, the visual arts, film, literature, and history, this volume shows how our understanding of the African diaspora in the Americas can be enriched by crossing disciplinary boundaries to recontextualize images, words, and thoughts as part of a much greater whole. Diaspora describes dispersion, but also the seeding, sowing, or scattering of spores that take root and grow, maturing and adapting within new environments. The examples of diasporic cultural production explored in this volume reflect on loss and dispersal, but they also constitute expansive and dynamic intellectual and artistic production, neither wholly African nor wholly American (in the hemispheric sense), whose resonance deeply inflects all of the Americas. African Diaspora in the Cultures of Latin America, the Caribbean, and the United States represents a call for multidisciplinary, collaborative, and complex approaches to the subject of the African diaspora." Résumé en 4ème de couverture: "Scholars of the African Americas are sometimes segregated from one another by region or period, by language, or by discipline. Bringing together essays on fashion, the visual arts, film, literature, and history, this volume shows how our understanding of the African diaspora in the Americas can be enriched by crossing disciplinary boundaries to recontextualize images, words, and thoughts as part of a much greater whole. Diaspora describes dispersion, but also the seeding, sowing, or scattering of spores that take root and grow, maturing and adapting within new environments. The examples of diasporic cultural production explored in this volume reflect on loss and dispersal, but they also constitute expansive and dynamic intellectual and artistic production, neither wholly African nor wholly American (in the hemispheric sense), whose resonance deeply inflects all of the Americas. African Diaspora in the Cultures of Latin America, the Caribbean, and the United States represents a call for multidisciplinary, collaborative, and complex approaches to the subject of the African diaspora." Scholars of the African Americas are sometimes segregated from one another by region or period, by language, or by discipline. Bringing together essays on fashion, the visual arts, film, literature, and history, this volume shows how our understanding of the African diaspora in the Americas can be enriched by crossing disciplinary boundaries to recontextualize images, words, and thoughts as part of a much greater whole. Diaspora describes dispersion, but also the seeding, sowing, or scattering of spores that take root and grow, maturing and adapting within new environments. The examples of diasporic cultural production explored in this volume reflect on loss and dispersal, but they also constitute expansive and dynamic intellectual and artistic production, neither wholly African nor wholly American (in the hemispheric sense), whose resonance deeply inflects all of the Americas. African Diaspora in the Cultures of Latin America, the Caribbean, and the United States represents a call for multidisciplinary, collaborative, and complex approaches to the subject of the African diaspora. -- Publisher description African Diaspora in the Cultures of Latin America, the Caribbean, and the United States upholds the transcendent interconnectedness of histories, stories, and cultural and disciplinary expression, and the centrality of the Middle Passage in connecting Harlem and Brooklyn to Havana, Kingston, and Rio de Janeiro.
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