Aesthetics of Fraudulence in Nineteenth-Century France : Frauds, Hoaxes, and Counterfeits

In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Mérimée, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history. -- From publisher's website In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Mérimée, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history. -- From publisher's website Contents......Page 6 List of Illustrations......Page 8 Acknowledgments......Page 12 A Note on Translations......Page 14 1 Introduction: Caveat Lector......Page 16 2 Violent Hoaxes: Mérimée and the Booby-trapped Text......Page 34 3 Political Prostheses and Imperial Impostors......Page 60 4 The Ghosts of Kings......Page 84 5 Balzac's Skillful Disguise ......Page 108 6 Vidocq and the Image of the Counterfeit......Page 128 7 False Genders: Sand's Gabriel ......Page 140 8 Baudelaire and the Originality of the Copy......Page 152 9 National Effigies and Counterfeits: Baudelaire's Pauvre Belgique! ......Page 170 10 Conclusions: Futures of the False......Page 186 Bibliography......Page 192 Index......Page 200