Aestheticism : Deep Formalism and the Emergence of Modernist Aesthetics

This Book Offers, For The First Time In Aesthetics, A Comprehensive Account Of Aestheticism Of The 19th Century As A Philosophical Theory Of Its Own Right. Taking Philosophical And Art-historical Viewpoints, This Cross-disciplinary Book Presents Aestheticism As The Foundational Movement Of Modernist Aesthetics Of The 20th Century. Emerging In The Writings Of The Foremost Aestheticists - Oscar Wilde, Walter Pater, James Whistler, And Their Formalist Successors Such As Clive Bell, Roger Fry, And Clement Greenberg - Aestheticism Offers A Uniquely Synthetic Definition Of Art. It Captures The Artwork's Relations Between Form And Content, Art's Independent Ontology And Autonomy, Art's Internal Completeness, Criticism, Immunity To Recruitment, The Uniqueness Of Each Medium, And Musicality, As Well As The Logical-theoretical Affiliation Of Art For Art's Sake To Epistemology, Ethics And Philosophy Of Language.
Those Are Used By Michalle Gal To Formulate A Definition Of Art In Terms Of A Theory Of Deep Formalism, Setting Aestheticism, Which Aspires To Preserve The Artistic Medium, As A Critique Of The Current Linguistic-conceptual Aesthetics That Developed After The Linguistic Turn Of Aesthetics. Cover Acknowledgements Table of Contents Opening: Deep Form Aestheticism and Formalism Chapter 1 A New Notion of Painting 1.1 The Introduction of Abstract Painting: Opaque Symbol 1.2 The Separation between the Arts, and the Merger between Content and Form 1.3 Four Means of Artistic Anti-Realism 1.4 The Dissolution of the Subject Matter Chapter 2 Artistic Freedom 2.1 Two Concepts of Mimesis: Visual and Conceptual 2.2 Two Models of Artistic Freedom: Introversive and Expansionist 2.3 Internal Necessity 2.4 Immunity to Recruitment 2.5 Realistic Effect 2.6 The Detachment of Art from Life Chapter 3 Syntacticity and Musicality 3.1 Aesthetic Attitude 3.2 Two Concepts of Mimesis Again: Visual vs. Descriptive 3.3 Suppression of the Subject Matter, and the Physiognomy of Word 3.4 Oscar Wilde’s Example Chapter 4 Influential Detachment: Art and Life 4.1 What Gives Form its Depth 4.2 Artwork and Human Spirit 4.3 Rebellion against Authority Chapter 5 Completeness of the Artwork: Order, Beauty, Autonomy 5.1 Order, Autonomy, and Beauty: A Combination in Two Steps 5.2 Are Whistler’s Nocturnes Complete? Chapter 6 Criticism versus Interpretation 6.1 Silencing the Critics 6.2 Criticism as Art: Form Born from Form Chapter 7 Conceptual Mimesis 7.1 The Internal/External Inversion Closing: The Demise of Deep Form? Bibliography List of figures Index This book presents aestheticism of the 19th century as a philosophical theory, and as the source of modernist and formalist aesthetics and art of the 20th century. It analyzes the definition of art formulated by Oscar Wilde, Walter Pater, and James Whistler, and their theory of form and content, art's autonomy and ontology, criticism, and musicality.