Accounting for Dante : Urban Readers and Writers in Late Medieval Italy

In Accounting for Dante , Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes—namely, merchants and notaries—as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, these newly educated readers were full participants in an emergent vernacular literature, demonstrating at times a marked degree of sophistication in their choices of which lyric poems to include in their personal anthologies. Adapting their methods of memorializing contracts and keeping accounts to the collecting of medieval Italian poetry, these urban readers and writers made copying Italian poetry a crucial aspect of how they understood and represented themselves as individuals and communities. Steinberg describes how notaries and merchants transcribed Dante's poetry in nontraditional formats, such as in the archival documents of the Memoriali bolognesi and the register-book Vaticano Latino 3793 . In bringing to light evidence of the urban reception of the early Italian lyric, Justin Steinberg restores the political, social, and historical contexts in which Dante would have understood the poetic debates of his day. He also examines how Dante continuously responded in his literary career—from the Vita Nuova , to the De Vulgari eloquentia , to the Commedia —to the interpretations and misinterpretations of his early lyrics by this municipal audience. Cover 1 ACCOUNTING for DANTE 2 Title 4 Copyright 5 Dedication 6 Contents 8 About the William and Katherine Devers Series 10 List of Illustrations 12 Acknowledgments 14 Introduction 16 chapter one Dante’s First Editors: The Memoriali bolognesi and the Politics of Vernacular Transcription 32 chapter two “Apresso che questa canzone fue alquanto divulgata tra le genti”: Vaticano 3793 and the donne of “Donne ch’avete intelletto d’amore” 76 chapter three “A terrigenis mediocribus”: The De vulgari eloquentia and the Babel of Vaticano 3793 110 chapter four Merchant Bookkeeping and Lyric Anthologizing: Codicological Aspects of Vaticano 3793 140 chapter five Bankers in Hell: The Poetry of Monte Andrea in Dante’s Inferno between Historicism and Historicity 160 epilogue “Dante”: Purgatorio 30.55 and the Question of the Female Voice 186 Notes 196 Bibliography 226 Index of Names and Notable Matters 240 Index of Passages from Dante’s Works 248