A Suitable Boy

From Publishers Weekly Seth previously made a splash with his 1986 novel in verse, The Golden Gate . Here he abandons the compression of poetry to produce an enormous novel that will enthrall most readers; those who are fazed by a marathon read, however, may gasp for mercy. Set in the post-colonial India of the 1950s, this sprawling saga involves four families--the Mehras, the Kapoors, the Chatterjis and the Khans--whose domestic crises illuminate the historical and social events of the era. Like an old-fashioned soap opera (or a Bombay talkie), the multi-charactered plot pits mothers against daughters, fathers against sons, Hindus against Muslims and small farmers against greedy landowners facing government-ordered dispossession. The story revolves around independent-minded Lata Mehra: Will she defy the stern order of her widowed upper-caste Hindu mother by marrying the Muslim youth she loves? The search for Lata's husband expands into a richly detailed and exotically vivid narrative that crisscrosses the fabric of India. Seth's panoramic scenes take the reader into law courts, religious processions, bloody riots, academia--even the shoe trade. Portraits of actual figures are incisive; the cameo of Indian Prime Minister Jawaharlal Nehru, for example, captures his high-minded, well-meaning indecision. Seth's point of view is both wry and affectionate, and his voluble, palpably atmospheric narrative teems with chaotic, irrepressible life. 100,000 first printing; $200,000 ad/promo; BOMC main selection; QPB alternate; author tour. Copyright 1993 Reed Business Information, Inc. From Library Journal Opening and closing with a wedding, this novel is ostensibly the story of a Hindu family trying to find a suitable husband for their younger daughter, Lata. Who will the suitable boy turn out to be? The dashing Kabir, with whom Lata falls in love? The ambitious businessman whom Lata's mother favors? Or the sophisticated poet her relatives choose? The interwoven stories of four families linked by marriage form the background for this marital quest. It proves slow-moving at first, but the patient reader will inevitably be caught up in the compelling rhythms of a richly complex tale. The setting--India in the 1950s--is vividly realized: the enormity of the subcontinent, its overpowering heat, lush gardens, colorful festivals, and exotic foods. Memorable characters abound; not since Dickens has there been such a lively and idiosyncratic cast crowded into one novel. Drama is provided by the simmering conflict between Hindu and Muslim, which breaks out unexpectedly throughout the novel. This is old-fashioned storytelling at its best; highly recommended. BOMC and Quality Paperback alternates; previewed in Prepub Alert, LJ 1/93. - Beth Ann Mills, New Rochelle P.L., N.Y. Copyright 1993 Reed Business Information, Inc. The thought of embarking on reading a novel of almost 1500 pages may put you off, but if so it would be a pity. Vikram Seth's book is a delight, at once touching, humorous, and widely panoramic. It is really several novels in one. In one way it is the story of the search for a suitable husband for Lata, conducted in semi-concert by Lata herself and her mother, who are a generation apart in their ideas about arranged marriages yet come eventually to agree. But this narrative recedes into the background for long stretches, as we follow the fortunes of various members of three families, including Lata's own, in the years immediately after the partition of India. Two of the families are Hindu, one is Muslim, and the three are linked to one another by marriage or friendship. There are the Kapoors, whose most prominent member, the charming if rather feckless Maan Kapoor, falls deeply in love with a Muslim singer and courtesan. There are the Khans, who are Muslim, and whose son Firoz is a close friend of Maan's, a friendship which eventually results in near-tragedy. And there are the Chatterjis, a family of brilliant and highly Anglicised young men and womem: Amit, the poet and novelist, Dipankar the would-be mystic, and Meenakshi and Kakoli, two beautiful and amoral sisters who continually exchange verse couplets with each other in a sort of verbal tennis match of wit. Politics runs through the story as well, and Nehru himself appears occasionally; I have to say that for me these sections were less successful and I was tempted to skip some of the set speeches. Another minor problem at times was a certain vagueness about which language the characters were speaking. This matters, because the characters themselves make a lot of it; Lata's pompous brother Arun, for example, who is a yuppy before his time, is scornful of Haresh, Lata's husband-to-be, because his English is less than perfect (although, in a delightully ironic passage, he is eventually forced to admit that he, Arun, has never been to England while Haresh has lived and studied there). Mostly, however, Seth manages these linguistic transitions adroitly Vikram Seth's novel is at its core a love story, the tale of Lata - and her mother's attempts to find her a suitable husband, through love or through exacting maternal appraisal. Set in post-Independence India and involving the lives of four large families and those who orbit them, it is also a vast panoramic exploration of a whole continent at a crucial hour as a sixth of the world's population faces its first great General Election and the chance to map its own destiny. 'A SUITABLE BOY may prove to be the most fecund as well as the most prodigious work of the latter half of this century - perhaps even the book to restore the serious reading public's faith in the contemporary novel ...You should make time for it. It will keep you company for the rest of your life' Daniel Johnson, The Times