A Study of Vladimir Nabokov’s Cosmopolitan Literary Thoughts

This book explores Vladimir Nabokov's literary thoughts, which blend Russian traditions, American values, European heritage, and multiculturalism, manifesting the cosmopolitan character of his writings and aesthetic ideas. Nabokov’s literary thoughts and writings inherit the legacies of various cultural traditions. This book explores four major facets of Nabokov’s intellectual and artistic origins: “Russianness,” “Americanness,” “Europeanness,” and multiculturalism. It discusses his affinity with major trends in twentieth-century literary theory, including Russian formalism, Bakhtinian poetics, New Criticism, aestheticism, psychoanalysis, feminism, postcolonialism, and cultural identity. It also shows how Nabokov developed these ideas in his own unique way. In addition, this study provides a cross-cultural overview of his reception and influence in China, comparing his works and thoughts with several Chinese authors. This further illustrates the “cosmopolitanism” of his literary thought and the inclusiveness of his concept of world literature. This study helps to better understand Nabokov’s ideas and writings in a broader context and also to discover innovative approaches to the communication, integration, and complementarity of Western and Eastern literatures and cultures. This book will appeal to literature scholars, students, and anyone interested in Nabokov studies, literary theory, American literature, world literature, and comparative literature. Cover Half Title Series Page Title Page Copyright Page Table of Contents Acknowledgments Introduction 1 Nabokov, Russian Formalism and Bakhtinian Poetics 2 Nabokov, New Criticism and Aestheticism 3 Nabokov, Psychoanalysis and Feminism 4 Nabokov, Exile and Cultural Studies 5 A Cross-Cultural Review of Nabokov’s Reception in China 6 Nabokov, Contemporary Chinese Writers and World Literature Conclusion Afterword Bibliography Index