خوانشی در دزدی رسانه‌های بین‌المللی: مقالات دزدان

Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the business of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age. Cover -- Table of Contents -- Acknowledgements -- 1. Media Piracy -- An Introduction -- Case Studies -- 2. Evasionary Publics -- Materiality and Piracy in Rio de Janeiro, Brazil -- Yonatan Reinberg -- 3. Piracy on the Ground -- How Informal Media Distribution and Access Influences the Film Experience in Contemporary Hanoi, Vietnam -- Tony Tran -- 4. Honorability and the Pirate Ethic -- Jonas Andersson Schwarz -- 5. Modchips -- How Hardware Hacking Constitutes Grey Markets, User Participation, and Innovation -- Mirko Tobias Schaefer -- Toward a Theroy of Media Piracy -- 6. On the Political Economy of Copy Protection -- Stefan Meretz -- 7. Paradoxes of Property -- Piracy and Sharing in Information Capitalism -- Jonathan Paul Marshall and Francesca da Rimini -- 8. Reproducibility, Copy, Simulation -- Key Concepts of Media Theory and Their Limits -- Jens Schröter -- The Aesthetics of Piracy -- 9. Degraded Images, Distorted Sounds -- Nigerian Video and the Infrastructure of Piracy -- Brian Larkin -- 10. Slashings and Subtitles -- Romanian Media Piracy, Censorship, and Translation -- Tessa Dwyer and Ioana Uricaru -- Conclusion -- 11. The Triumph of the Pirates -- Books, Letters, Movies, and Vegan Candy - Not a Conclusion -- Tilman Baumgärtel -- Contributors -- Index Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the buisness of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age. Bron: Flaptekst, uitgeversinformatie Piracy. It is among the most prevalent and vexing issues of the digital age. In just the last decade, it has altered the music industry beyond recognition, changed the way people watch television, and dented the business models of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American standup comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, such as in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the internet age. Piracy. It is among the most prevalent and vexing issues of the digital age. In just the last decade, it has altered the music industry beyond recognition, changed the way people watch television, and dented the business models of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American standup comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, such as in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the internet and in the markets of the Global South, Tilman Baumg�artel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the internet age Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and dent in the business of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, such as in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the internet and in the markets of the Global South, Tilman Baumgrtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the internet age Cover Half Title Series Title Title Copyright Contents Acknowledgements 1 - Media Piracy: An Introduction Case Studies 2 - Evasionary Publics: Materiality and Piracy in Rio de Janeiro, Brazil 3 - Piracy on the Ground: How Informal Media Distribution and Access Influences the Film Experience in Contemporary Hanoi, Vietnam 4 - Honorability and the Pirate Ethic 5 - Modchips: How Hardware Hacking Constitutes Grey Markets, User Participation, and Innovation Toward a Theroy of Media Piracy 6 - On the Political Economy of Copy Protection 7 - Paradoxes of Property: Piracy and Sharing in Information Capitalism 8 - Reproducibility, Copy, Simulation: Key Concepts of Media Theory and Their Limits The Aesthetics of Piracy 9 - Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 10 - Slashings and Subtitles: Romanian Media Piracy, Censorship, and Translation Conclusion 11 - The Triumph of the Pirates: Books, Letters, Movies, and Vegan Candy – Not a Conclusion Contributors Index MediaMatters Piracy Has Become One Of The Most Vexing Issues Of The 'digital Millennium'. Piracy Has Important Economic, Political, Cultural And Theoretical Consequences. In The Last Decade, It Has Reformatted The Music Industry Beyond Recognition And Has Made A Dent Into The Business Model Of The Film And Software Industries. Whether It Is Mp3 Files, Fashion Design, The Recipes Of French Celebrity Chefs Or The Jokes Of American Stand-up Comedians, Everything That Can Be Pirated Will Be Pirated. And Not Only That: As The Recent Decision Of Netflix Netherlands To License Shows That Are Heavily Pirated Proves, Piracy Even Has The Potential To Be An Arbiter Of Taste, A Kind Of International Avant-garde In Terms Of Media Consumption. Rather Than Condemning Piracy As A Crime Against Intellectual Property Rights, The Author Regards Piracy As The Underbelly Of Economic Globalization. This timely collection featuring both empirical and theoretical essays brings together the latest reflections on piracy and its economic, political, cultural and theoretical consequences

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