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Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world--a process of "worlding" that is much more than mere representation. In that spirit,__A New Literary History of Modern China__looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth century to the present.Featuring over 140 Chinese and non-Chinese contributors from throughout the world, this landmark volume explores unconventional forms as well as traditional genres—pop song lyrics and presidential speeches, political treatises and prison-house jottings, to name just a few. Major figures such as Lu Xun, Shen Congwen, Eileen Chang, and Mo Yan appear in a new light, while lesser-known works illuminate turning points in recent history with unexpected clarity and force. Many essays emphasize Chinese authors' influence on foreign writers as well as China's receptivity to outside literary influences. Contemporary works that engage with ethnic minorities and environmental issues take their place in the critical discussion, alongside writers who embraced Chinese traditions and others who resisted. Writers' assessments of the popularity of translated foreign-language classics and avant-garde subjects refute the notion of China as an insular and inward-looking culture.A vibrant collection of contrasting voices and points of view,__A New Literary History of Modern China__is essential reading for anyone seeking a deeper understanding of China's literary and cultural legacy. A New Literary History Of Modern China Is A Collective Project That Introduces The Long Modern Period Of Chinese Literature From The Late Seventeenth Century To The New Millennium. The Volume, With Roughly 160 Essays Contributed By 145 Authors On A Wide Spectrum Of Topics, Is Intended For Readers Who Are Interested In Understanding Modern China Through Its Literary And Cultural Dynamics. At The Same Time, It Takes Up The Challenge Of Rethinking The Conceptual Framework And Pedagogical Assumptions That Underlie The Extant Paradigm Of Writing And Reading Literary History. Beyond The Familiar Canon Of Literature As Representation, The Volume Seeks To Include The Tradition Of Literature As Manifestation, On Both Textual And Contextual Levels, In A History Of Modern Chinese Literature. In Addition To Familiar Genres, A New Literary History Features A Diverse Lineup Of Forms, From Presidential Speeches To Pop Song Lyrics, From Photographs To Films, And From Political Treatises To Prison House Jottings--forms That Not Only Represent The Material World, But Can Also Shape It And Complete It. By Combining Both The Pointillism Of The Chronicle And The Comprehensiveness Of Grand Recit, This Revisionist Endeavor Introduces The Four Themes Of Worlding Literary China: Architectonics Of Temporalities; Dynamics Of Travel And Transculturation; Contestation Between Wen And Mediality; And Remapping Of The Literary Cartography Of Modern China.-- Introduction: Worlding Literary China / David Der-wei Wang -- 1635; 1932, 1934: The Multiple Beginnings Of Modern Chinese Literature / Sher-shiueh Li -- 1650: Dutch Plays, Chinese Novels, And Images Of An Open World / Paize Keulemans -- 1755 : The Revival Of Letters In Nineteenth-century China / Theodore Huters -- 1792 : Legacies In Clash: Anticipatory Modernity Versus Imaginary Nostalgia / Andrew Schonebaum -- 1807 : Robert Morrison's Chinese Literature And Translated Modernity / John T. P. Lai -- 1810 : Gongyang Imaginary And Looking To The Confucian Past For Reform / Benjamin A. Elman -- 1820 : Flowers In The Mirror And Chinese Women: At Home In The World / Carlos Rojas -- 1820, Beijing : Utter Disillusion And Acts Of Repentance In Late Classical Poetry / Stephen Owen -- 1843 : In Search Of A Chinese Utopia: The Taiping Rebellion As A Literary Event / Haun Jin -- 1847 : My Life In China And American And Transpacific Translations / Chih-ming Wang --^ 1852, 1885 : Two Chinese Poets Are Homeless At Home / Ziaofei Tian -- 1853 : Foreign Devils, Chinese Sorcerers, And The Politics Of Literary Anachronism / David Der-wei Wang -- 1861 : Women Writers In Early Modern China / Ellen Widmer -- 1862 : Wang Tao Lands In Hong Kong / Emma J. Teng -- 1872 : Media, Literature, And Early Chinese Modernity / Rudolf G. Wagner -- 1873 : The Politics Of Translation And The Romanization Of Chinese Into A World Language / Uganda Sze Pui Kwan -- 1884 : In Lithographic Journals, Text And Image Flourish On The Same Page / Xia Xiaohong And Chen Pingyuan, Translated By Michael Gibbs Hill -- 1890 : Lives Of Shanghai Flowers, Dialect Fiction, And The Genesis Of Vernacular Modernity / Alexander Des Forges -- 1895 : The New Novel Before The Rise Of The New Novel / Patrick Dewes Hanan -- 1896 : Qui Fengjia And The Poetics Of Tears / Chien-hsin Tsai -- 1897 : Language Reform And Its Discontents / Theodore Huters --^ 1899 : Oracle Bones, That Dangerous Supplement... / Andrea Bachner -- 1900 : Liang Qichao's Suspended Translation And The Future Of Chinese New Fiction / Satoru Hashimoto -- 1900 : Fallen Leaves, Grieving Cicadas, And Poetic Mourning After The Boxer Rebellion / Shengqing Wu -- 1901 : Eliza Crosses The Ice--and And Ocean--and Uncle Tom's Cabin Arrives In China / Michael Gibbs Hill -- 1903 : Sherlock Holmes Comes To China / Wei Yan -- 1904 : Imagining Modern Utopia By Rethinking Ancient Historiography / N. Gordan D. Malmqvist -- 1905 : Wen And The First History(ies) Of Chinese Literature / Kwok Kou Leonard Chan -- 1905 : Munchhausen Travels To China / Geraldine Fiss -- 1906 : Zhang Taiyan And The Revolutionary Politics Of Literary Restoration / Tsuyoshi Ishii -- 1907 : Global Theatrical Spectacle In Tokyo And Shanghai / Natascha Gentz -- 1907 : The Death Of China's First Feminist / Hu Ying -- 1908 : From Mara To Nobel / David Der-wei Wang -- 1909 : A Classical Poetry Society Through Revolutionary Times / Shengqing Wu -- 1911 : Revolution And Love / Haiyan Lee -- 1913, 2011 : The Book Of Datong As A Novel Of Utopia / Kai-cheung Dung, Translated By Victor Or -- 1916, New York City : Hu Shi And His Experiments / Susan Chan Egan --^ 1916 : Inventing Youth In Modern China / Mingwei Song -- 1918 : Zhou Yucai Writes A Madman's Diary Under The Pen Name Lu Xun / Ha Jin -- 1918 : Modern Monkhood / Ying Lei -- 1919 : The Big Misnomer: May Fourth Literature / Michel Hockx -- 1921 : Clinical Diagnosis For Taiwan / Pei-yin Lin -- 1922 : Turning Babbitt Into Bai Bide / Tze-ki Hon -- 1922 : Xiang Kairan's Monkey / John Christopher Hamm -- 1922 : New Culture And The Pedagogy Of Writing / Charles A. Laughin -- 1924 : Xu Zhimo And Chinese Romanticism / Michelle Yeh -- 1924 : Enchantment With The Voice / Chen Pingyuan, Translated By Andy Rodekohr -- 1925 : Lu Xun And Tombstones / Wang Hui, Translated By Michael Gibbs Hill -- 1925 : Mei Lanfang, Athe Denishawn Dancers, And World Theater / Catherine Vance Yeh -- 1927 : This Spirit Of Independence And Freedom Of Thought...will Last For Eternity With Heaven And Earth / Wai-yee Li -- 1927 : The Legend Of A Modern Woman Writer Of Classical Verse / Grace S. Fong --^ 1927 : Ba Jin Begins To Write Anarchist Novels / Mingwei Song -- 1928 : Revolution And Rhine Wine / Pu Wang -- 1928 : Genealogies Of Romantic Disease / Andrew Schonebaum -- 1929 : Gender, Commercialism, And The Literary Market / Amy Dooling -- 1929 : The Author As Celebrity / Eileen Cheng-yin Chow -- 1930 : Practical Criticism In China / Q. S. Tong -- 1930 : Invitation To A Beheading / David Der-wei Wang -- 1931 : The Chinese League Of Left-wing Writers, 1930-1936 / Lawrence Wang-chi Wong -- 1932 : Hei Ying's Pagan Love Song / Andrew F. Jones -- 1934; 1986 : Roots Of Peace And War, Beauty And Decay, Are Sought In China's Good Earth / Jeffrey C. Kinkley -- 1934-1936 : Recollections Of Women Soldiers On The Long March / Helen Praeger Young -- 1935 : On Language, Literature, And The Silent Screen / Kristine Harris -- 1935 : The Execution Of Qu Qiubai / Andy Rodekohr -- 1935 : The Child And The Future Of China In The Legend Of Sanmao / Lanjun Xu -- 1935 : Crossing The River And Ding County Experimental Theater / Man He -- 1936 : One Day In China / Charles A. Laughlin --^ 1936 : Resonances Of A Visual Image In The Early Twentieth Century / Xiaobing Tang -- 1936 : Lu Xun And The Afterlife Of Texts / Eileen J. Cheng -- 1937 : Cao Yu And His Drama / Li Ruru And David Jiang -- 1937 : A Chinese Piet's Wartime Dream / John A. Crespi -- 1937; 1938 : William Empson, W.h. Auden, And Modernist Poetry In Wartime China / Q. S. Tong -- 1939 : The Lost Novel Of The Nanjing Massacre / Michael Berry -- 1940 : The Poetics And Politics Of Neo-sensationism / Peng Hsiao-yen -- 1940 : Between Chineseness And Modernity: The Film Art Of Fei Mu / Wong Ain-ling -- 1940-1942 : Chinese Revolution And Western Literature / Ban Wang -- 1941 : Eileen Chang In Hong Kong / Leo Ou-fan Lee -- 1942; 2014 : In War She Writes / Katherine Hui-ling Chou -- 1942 : Taiwan's Genius Lu Heruo / Faye Yuan Kleeman -- 1942 : The Cultural And Political Significance Of Mao Zedong's Talks At The Yan'an Forum On Literature And Art / Qian Liqun, Translated By Dylan Suher --^ 1943 : The Genesis Of Peasant Revolutionary Literature / Hui Jiang -- 1944 : The North Has Mei Niang / Norman Smith -- 1945 : Ideologies Of Sound In Chinese Modernist Poetry / Nick Admussen -- 1945 : The Enigma Of Yu Dafu And Nanyang Literature / E.k. Tan -- 1946 : On Literature And Collaboration / Susan Daruvala -- Edited By David Der-wei Wang. Includes Bibliographical References And Index. David Der-Wei Wang David Der-wei Wang Sher-Shiueh Li Paize Keulemans Theodore Huters Andrew Schonebaum John T. P. Lai Benjamin A. Elman Carlos Rojas Stephen Owen Huan Jin Chih-Ming Wang Xiaofei Tian David Der-Wei Wang Ellen Widmer Emma J. Teng Rudolf G. Wagner Uganda Sze Pui Kwan Xia Xiaohong and Chen Pingyuan Alexander Des Forges Patrick Dewes Hanan Chien-Hsin Tsai Theodore Huters Andrea Bachner Satoru Hashimoto Shengqing Wu Michael Gibbs Hill Wei Yan N. Göran D. Malmqvist Kwok Kou Leonard Chan Géraldine Fiss Tsuyoshi Ishii Natascha Gentz Hu Ying David Der-wei Wang Shengqing Wu Haiyan Lee Kai-Cheung Dung Susan Chan Egan Mingwei Song Ha Jin Ying Lei Michel Hockx Pei-Yin Lin Tze-Ki Hon John Christopher Hamm Charles A. Laughlin Michelle Yeh Chen Pingyuan Wang Hui Catherine Vance Yeh Wai-Yee Li Grace S. Fong Mingwei Song Pu Wang Andrew Schonebaum Amy Dooling Eileen Cheng-Yin Chow Q. S. Tong David Der-Wei Wang Lawrence Wang-Chi Wong Andrew F. Jones Jeffrey C. Kinkley Helen Praeger Young Kristine Harris Andy Rodekohr Lanjun Xu Man He Charles A. Laughlin Xiaobing Tang Eileen J. Cheng Li Ruru and David Jiang John A. Crespi Q. S. Tong Michael Berry Peng Hsiao-Yen Wong Ain-Ling Ban Wang Leo Ou-Fan Lee Katherine Hui-Ling Chou Faye Yuan Kleeman Qian Liqun Hui Jiang Norman Smith Nick Admussen E. K. Tan Susan Daruvala Kang-i Sun Chang Jingling Chen Joseph R. Allen Xiaojue Wang Har Ye Kan Yingjin Zhang Nicolai Volland Shuang Shen Jing Tsu Richard Jean So Wilt L. Idema Kirk A. Denton Wai-lim Yip Jianhua Chen Chien-hsin Tsai Jing Tsu Tarryn Li-min Chun Xiaofei Tian Yunzhong Shu Chong Fah Hing and Kyle Shernuk Wang Anyi Leo Ou-fan Lee Guangchen Chen Xiaomei Chen Jie Li Christopher Lupke Ying Qian Yomi Braester Petrus Liu Steven Yao Theodore Huters Mary Shuk-han Wong Stephen Teo Michelle Yeh Lucas Klein Clint Capehart Richard King Ping-hui Liao Ping-hui Liao Lingchei Letty Chen Weijie Song Gloria Davies Lauran R. Hartley Sung- sheng Yvonne Chang Michael Berry Andrea Bachner Yu Hua Liu Jianmei Chen Sihe Maghiel van Crevel Ao Wang Emilie Yueh-yu Yeh Kyle Shernuk and Dylan Suher Claire Conceison Andy Rodekohr Ari Larissa Heinrich Hsinya Huang John B. Weinstein Bonnie S. McDougall Pheng Cheah Chu T’ien-hsin Brian Skerratt Martin Woesler Tarryn Li-Min Chun Karen L. Thornber Heather Inwood and Xiaofei Tian Li Juan Alison M. Groppe Casey Lee Darrell William Davis Alexa Huang Mo Yan Kyle Shernuk Rey Chow Mark Bender Mingwei Song None None None Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world--a process of "worlding" that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth century to the present. Featuring over 140 Chinese and non-Chinese contributors from throughout the world, this landmark volume explores unconventional forms as well as traditional genrespop song lyrics and presidential speeches, political treatises and prison-house jottings, to name just a few. Major figures such as Lu Xun, Shen Congwen, Eileen Chang, and Mo Yan appear in a new light, while lesser-known works illuminate turning points in recent history with unexpected clarity and force. Many essays emphasize Chinese authors' influence on foreign writers as well as China's receptivity to outside literary influences. Contemporary works that engage with ethnic minorities and environmental issues take their place in the critical discussion, alongside writers who embraced Chinese traditions and others who resisted. Writers' assessments of the popularity of translated foreign-language classics and avant-garde subjects refute the notion of China as an insular and inward-looking culture. A vibrant collection of contrasting voices and points of view, A New Literary History of Modern China is essential reading for anyone seeking a deeper understanding of China's literary and cultural legacy. "A New Literary History of Modern China is a collective project that introduces the "long" modern period of Chinese literature from the late seventeenth century to the new millennium. The volume, with roughly 160 essays contributed by 145 authors on a wide spectrum of topics, is intended for readers who are interested in understanding modern China through its literary and cultural dynamics. At the same time, it takes up the challenge of rethinking the conceptual framework and pedagogical assumptions that underlie the extant paradigm of writing and reading literary history. Beyond the familiar canon of literature as representation, the volume seeks to include the tradition of literature as manifestation, on both textual and contextual levels, in a history of modern Chinese literature. In addition to familiar genres, A New Literary History features a diverse lineup of forms, from presidential speeches to pop song lyrics, from photographs to films, and from political treatises to prison house jottings--forms that not only represent the material world, but can also shape it and complete it. By combining both the pointillism of the chronicle and the comprehensiveness of grand recit, this revisionist endeavor introduces the four themes of "worlding" literary China: architectonics of temporalities; dynamics of travel and transculturation; contestation between wen and mediality ; and remapping of the literary cartography of modern China."--Résumé de l'éditeur