زندگی پیکاسو جلد چهارم: سال‌های مینوتور: ۱۹۳۳-۱۹۴۳

The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more. Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists. The spectacular fourth and final volume of Picasso's life is set in Paris, Normandy, the south of France, Royan, and Barcelona during the Spanish Civil War and at the beginning of World War II. Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso's mistress and muse. Picasso was contributing to André Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur -- head of a bull, body of a man -- and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso's vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, "rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world's most celebrated artists "The beautifully illustrated fourth volume of Picasso's life--set in France and Spain during the Spanish Civil War and World War II--covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thrés̈e, Dora Maar, and Franȯise Gilot; and much more. Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassa ̐to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thrés̈e, Picasso's mistress and muse. Picasso was contributing to Andr Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dal,í Lee Miller, and the poet Paul ?luard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur--head of a bull, body of a man--and created his most famous etching, Minotauromachie. imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive' and critically acclaimed account of one of the world's most celebrated artists."-- From publisher's marketing The spectacular fourth volume of Picasso's life set in Paris, Normandy, and Barcelona during the Spanish Civil War and WWII. Based on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, Volume IV describes a wildly productive decade for Picasso: his ongoing involvement with the surrealists Man Ray, Dali, Paul Eluard and Andr Breton on his Skira-backed magazine Minotaur ; summers spent in the south of France at Juan-les-Pins and Mougins with the surrealists and their wives and girlfriends; the making of Minotauromachie ; living in Nazi-occupied Paris, labeled a degenerate, prevented from exhibiting his work. During these years, Picasso, at long last, would legally separate from his wife Olga and their son Paulo would be sent to a Swiss clinic for therapy and rehab; Marie-Thrse would remain Picasso's mistress, but a stormy relationship with the photographer Dora Maar would be part of the mix, while Alice Paalen and Valentine Hugo would come and go. It is also the time in which Picasso would paint his masterwork, Guernica , unveiled at the 1937 World's Fair in Paris. Richardson tells Picasso's story through the art of this period, analyzing how it reflects the tenor of the artist's day-to-day life. The fascinating, accessible narrative immerses the reader in one of the most exciting artistic moments in twentieth century cultural history, and makes a groundbreaking contribution to the scholarship of the field. As he magnificently combines meticulous scholarship with irresistible narrative appeal, Richardson draws on his close friendship with Picasso, his own diaries, the collaboration of Picasso's widow Jacqueline, and unprecedented access to Picasso's studio and papers to arrive at a profound understanding of the artist and his work. 800 photos. - Publisher The author introduces material on the artist's early training in religious art, and establishes his passion for Barcelona and Catalan "modernisme". There are also portraits of Apollinaire, Max Jacob and Gertrude Stein who made up "The Picasso Gang". The book won the 1991 Whitbread biography award. V. 1. The Prodigy, 1881-1906 -- V. 2. The Cubist Rebel, 1907-1916 -- V. 3. Triumphant Years, 1917-1932. John Richardson ; With The Collaboration Of Marilyn Mccully. Originally Published: New York: Random House, 1991. Includes Bibliographical References And Index. A three-volume study of the life and work of Pablo Picasso captures the artist from his early life in Málaga and Barcelona, through his revolutionary Cubist period, to the height of his talent in prewar Europe. [v. 1]. [v. 1]. -- [v. 2] [v. 1]. -- [v. 2] -- [v. 3] [v. 1].-- [v. 2]-- [v. 3]