A Gorgon's Mask: The Mother in Thomas Mann's Fiction (Psychoanalysis and Culture, 12) (Psychoanalysis & Culture)

The thesis of A Gorgon’s Mask: The Mother in Thomas Mann’s Fiction depends upon three psychoanalytic concepts: Freud’s early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich’s analysis of the grotesque-comic sublimation, and Edmund Bergler’s analysis of writer’s block. Mann’s crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother’s notice. But to defend himself from being overcome by the Gorgon-mother’s stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer’s block. Mann’s late work reveals that his defense against the Gorgon is crumbling. In Doctor Faustus Mann portrays Adrian Leverk?hn as, ultimately, the victim of oral regression; but the fact that Mann was able to compete the novel, despite severe physical illness and psychological distress, demonstrates that he himself was still holding writer’s block at bay. In Confessions of Felix Krull: Confidence Man, a narrative that he had abandoned forty years before, Mann was finally forced to acknowledge that he was depleted of creative vitality, but not of his capacity for irony, brilliantly couching the victorious return of the repressed in ambiguity. This study will be of interest to general readers who enjoy Mann’s narrative art, to students of Mann’s work, especially its psychological and mythological aspects, and to students of the psychology of artistic creativity. The thesis of A Gorgon's mask: The Mother in Thomas Mann's Fiction depends upon three psychoanalytic concepts: Freud's early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich's analysis of the grotesque-comic sublimation, and Edmund Bergler's analysis of writer's block. Mann's crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother's notice. But to defend himself from being overcome by the Gorgon-mother's stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer's block. Mann's late work reveals that his defense against the Gorgon is crumbling. In Doctor Faustus Mann portrays Adrian Leverkühn as, ultimately, the victim of oral regression; but the fact that Mann was able to compete the novel, despite severe physical illness and psychological distress, demonstrates that he himself was still holding writer's block at bay. In Confessions of Felix Krull: Confidence Man, a narrative that he had abandoned forty years before, Mann was finally forced to acknowledge that he was depleted of creative vitality, but not of his capacity for irony, brilliantly couching the victorious return of the repressed in ambiguity. This study will be of interest to general readers who enjoy Mann's narrative art, to students of Mann's work, especially its psychological and mythological aspects, and to students of the psychology of artistic creativity. "The thesis of A Gorgon's Mask: the Mother in Thomas Mann's Fiction depends upon three psychoanalytic concepts: Freud's early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich's analysis of the grotesque-comic sublimation, and Edmund Bergler's analysis of writer's block. Mann's crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother's notice. But to defend himself from being overcome by the Gorgon-mother's stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer's block."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved Editions Rodopi Table of Contents 6 Acknowledgements 8 I. Introduction 10 II. Early Works 32 III. The Magic Mountain 148 IV. Mann meets Freud 222 V. Joseph and His Brothers 238 The Beloved Returns: Lotte in Weimar 263 The Transposed Heads 288 Joseph the Provider 304 VI. Doctor Faustus 316 VII. The Holy Sinner 368 Confessions of Felix Krull: Confidence Man 380 The Black Swan 394 Confessions of Felix Krull: Confidence Man 401 VIII. Conclusion 414 Bibliography 418 Index 430 A 430 B 430 C 430 D 430 E 431 F 431 G 432 H 432 I 433 J 433 K 433 L 433 M 433 N 436 O 436 P 436 R 436 S 437 T 437 U 437 V 437 W 437 Z 438 ISBN-13:,9789042017450 I. Introduction -- Ii. Early Works -- Iii. Magic Mountain -- Iv. Mann Meets Freud -- V. Joseph And His Brothers -- Beloved Returns : Lotte In Weimar -- Transposed Heads -- Joseph The Provider -- Vi. Doctor Faustus -- Vii. Holy Sinner -- Confessions Of Felix Krull : Confidence Man -- Black Swan -- Confessions Of Felix Krull : Confidence Man -- Viii. Conclusion. Lewis A. Larson. Includes Bibliographical References (p. [415]-426) And Index. This study proposes that the infant Thomas Mann experienced such frustration, both physiological and psychological, at the breast that he became ridden with anxiety about his mother's love.