A Dictionary of Symbols: Revised and Expanded Edition (New York Review Books Classics)

A classic encyclopedia of symbols by Catalan polymath Joan Cirlot that illuminates the symbolic underpinnings of myth, modern psychology, literature, and art. From the Egyptians on, no form of learning was more vital to the ancient world than the knowledge of symbols, and it was no less important to the civilizations of the Orient, even into modern times. In the Occident, thinking about symbols shaped the great art of the medieval age, and, to a very large extent, the new developments of the renaissance and the baroque, before gaining a distinctly new importance with the discovery of the "unconscious" in the twentieth century. The poet and art critic Juan Eduardo Cirlot's Dictionary of Symbols first came out in 1958; soon translated into English, it has since proved an indispensable and endlessly stimulating resource for scholars and students of fields from art to literature to psychology to philosophy. Whether discussing the nature of the Mandala, the symbolic dimensions of the cow, heron, hippopotamus, or planet Saturn, Cirlot's book is an unrivaled source of information, instruction, inspiration, and simple pleasure. This new, expanded edition of the Dictionary includes new entries as well as an epilogue by Cirlot's daughter Victoria discussing her father's poetry and work as an art critic and its close connection to Surrealism. A classic encyclopedia of symbols by Catalan polymath Joan Cirlot that illuminates the symbolic underpinnings of myth, modern psychology, literature, and art. Juan Eduardo Cirlot’s A Dictionary of Symbols is a feat of scholarship, an act of the imagination, and a tool for contemplation, as well as a work of literature, a reference book that is as indispensable as it is brilliant and learned. Cirlot was a composer, a poet, an art critic, and a champion of modern art whose interest in surrealism helped to bring him to the study of symbolism. Carl Jung, Mircea Eliade, René Guénon, Erich Fromm, and Gaston Bachelard also helped to shape his thinking in a book that explores the space between the world at large and the world within, where, as Cirlot sees it, nothing is meaningless, everything is significant, and everything is in some way related to something else. Running from “abandonment” to “zone” by way of “flute” and “whip,” spanning the cultures of the world, and including a wealth of visual images to further bring the reality of the symbol home, A Dictionary of Symbols , here published for the first time in English in its original, significantly enlarged form, is a luminous and illuminating investigation of the works of eternity in time. A classic encyclopedia of symbols by Catalan polymath Joan Cirlot that illuminates the symbolic underpinnings of myth, modern psychology, literature, and art. From the Egyptians on, no form of learning was more vital to the ancient world than the knowledge of symbols, and it was no less important to the civilizations of the Orient, even into modern times. In the Occident, thinking about symbols shaped the great art of the medieval age, and, to a very large extent, the new developments of the renaissance and the baroque, before gaining a distinctly new importance with the discovery of the "unconscious" in the twentieth century. The poet and art critic Juan Eduardo Cirlot's Dictionary of Symbols first came out in 1958; soon translated into English, it has since proved an indispensable and endlessly stimulating resource for scholars and students of fields from art to literature to psychology to philosophy. Provided by publisher