رویکرد کروماتیک به هارمونی و ملودی جاز

BOOK ONLY version. Learn to incorporate chromaticism (using notes outside the stated tonality to enhance a phrase) into your playing with this straight-forward, easy to understand approach that allows you to personalize as well as to modernize your existing jazz material. This book should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text, it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition the book contains 100 assorted solo lines and 100 chord voicings. This book should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text, it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition the book contains 100 assorted solo lines and 100 chord voicings. More from David Liebman at his homepage. _A Chromatic Approach to Jazz Harmony and Melody_ should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text—it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition, the book contains 100 assorted solo lines and 100 chord voicings. Overview of chromaticism -- Fundamental principles -- Harmonic concept of tonal chromaticism -- Superimposition in various harmonic situations -- Non-tonal chromaticism -- Voicings -- Melodic concepts -- Considerations of chromatic melodic lines -- Interval categories -- Practicing ideas -- Playing situations -- Musical relationships in the group -- Examples of chromaticism from jazz and classical repertoire -- Analysis of Liebman transcriptions -- Playing melodies -- Pattern and variational techniques -- Harmonization of a chromatic line -- Reharmonization of standards -- Analysis of complex chords -- Suspended chord terminology -- Liebman original compositions -- Line compendium -- Voicing compendium Liebman D. A Chromatic Approach to Jazz Harmony and Melody (Advance Music, 1991)(ISBN 3892210306)