A Catalog of Such Stuff as Dreams Are Made On (Weatherhead Books on Asia)

Dung Kai-cheung's A Catalog of Such Stuff as Dreams Are Made On is a playful and imaginative glimpse into the consumerist dreamscape of late-nineties Hong Kong. First published in 1999, it comprises ninety-nine sketches of life just after the handover of the former British colony to China. Each of these stories in miniature begins from a piece of ephemera, usually consumer products or pop culture phenomena, and develops alternately comic and poignant snapshots of urban life. Dung's sketches center on once-trendy items that evoke the world at the turn of the millennium, such as Hello Kitty, Final Fantasy VIII , a Windows 98 disk, a clamshell mobile phone, Air Jordans, and cargo shorts. The protagonist of each piece, typically a young woman, is struck by an odd, even overriding obsession with an object or fad. Characters embark on brief dalliances or relationships lasting no longer than the fashions that sparked them. Dung blends vivid everyday details--Portuguese egg tarts, Japanese TV shows, the Hong Kong subway--with situations that are often fantastical or preposterous. This catalog of vanished products illuminates how people use objects to define and even invent their own selves. A major work from one of Hong Kong's most gifted and original writers, Dung's archaeology of the end of the twentieth century speaks to perennial questions about consumerism, nostalgia, and identity. "A playful and imaginative glimpse into the consumerist dreamscape of late-nineties Hong Kong. It consists of ninety-nine sketches of life in Hong Kong just after the handover of the former British colony to China. Each of these stories in miniature develops from a piece of ephemera, usually consumer products or pop culture phenomena, and unfurls alternately comic and poignant snapshots of urban life. Dung blends vivid everyday details-Portuguese egg tarts, Japanese reality TV, the Hong Kong subway-with situations that are often fantastical or preposterous. The central character of each sketch, usually a young woman, flits past without reappearing. They fall into brief dalliances or relationships that last no longer than the fads that sparked them. Dung's sketches feature once trendy objects that evoke the world at the turn of the millennium, when he was writing: Hello Kitty, Final Fantasy VIII, a Windows 98 disk, a clamshell mobile phone, Air Jordans, and cargo shorts. Recognizing the imminent obsolescence of the objects it depicts, this catalog of vanished products is no mere exercise in nostalgia: its archaeology of life at the end of the last century speaks to ongoing concerns about consumerism and identity. A major work from one of Hong Kong's most gifted and original writers, this book illuminates a world where people use objects to define and even invent their own lives"-- Provided by publisher. Dung Kai-cheung's A Catalog of Such Stuff as Dreams Are MadeOn is a playful and imaginative glimpse into the consumeristdreamscape of late-nineties Hong Kong. First published in 1999, itcomprises ninety-nine sketches of life just after the handover ofthe former British colony to China. Each of these stories inminiature begins from a piece of ephemera, usually consumerproducts or pop culture phenomena, and develops alternately comicand poignant snapshots of urban life. Dung's sketches center ononce-trendy items that evoke the world at the turn of themillennium, such as Hello Kitty, Final Fantasy VIII, aWindows 98 disk, a clamshell mobile phone, Air Jordans, and cargoshorts. The protagonist of each piece, typically a young woman, isstruck by an odd, even overriding obsession with an object or fad.Characters embark on brief dalliances or relationships lasting nolonger than the fashions that sparked them. Dung blends vivideveryday details-Portuguese egg tarts, Japanese TV shows, the HongKong subway-with situations that are often fantastical orpreposterous. This catalog of vanished products illuminates howpeople use objects to define and even invent their own selves. Amajor work from one of Hong Kong's most gifted and originalwriters, Dung's archaeology of the end of the twentieth centuryspeaks to perennial questions about consumerism, nostalgia, andidentity